The Scribleriad, and The Difference Between Verbal and Practical Virtue: Exploring Satire and Moral Virtue in 18th Century Literature

Anonymous · John Hervey Baron Hervey

აპრ. 2021 · Good Press

ამ ელწიგნის შესახებ

The Scribleriad, and The Difference Between Verbal and Practical Virtue' anthologizes a rich tableau of satirical and moralistic themes, bridging historical literary traditions with the piercing social commentary of its time. Through an adept selection of works, the collection illustrates the versatility of satire and moral examination across eras, its authors navigating the delicate balance between wit and wisdom with remarkable adeptness. The inclusion of both anonymized and attributed pieces amplifies the anthologys exploration of virtue - both in the sense of literary artistry and moral philosophy - making it a standout compilation that illuminates the complexities of human conduct and societal norms without tethering itself to a singular stylistic dictate. The contributing voices represent a fascinating cross-section of the early 18th-century literary landscape, where the conflation of personal and communal ethics forms a central discourse. John Hervey, a notable figure of this period, alongside the enigmatic contributions of anonymous writers, embodies the zeitgeist of an era captivated by the critique of pretense and the valorization of sincerity. These authors' works collectively underscore the periods dynamic engagements with rhetoric, politics, and personal integrity, contributing significantly to the rhetoric of virtue that characterized early Enlightenment thought. This anthology is an indispensable resource for scholars and enthusiasts alike, fostering a deeper appreciation for the transformative power of satirical and ethical writing. It not only showcases the historical and cultural richness of its era but also invites readers into a vibrant conversation about the enduring relevance of literary art in the interrogation of societal values. By presenting these divergent yet harmonious voices, the collection offers a unique vantage point from which to appreciate the intricate dance between form and function, scandal and morality, in the literature of the past, making it a compelling exploration for anyone interested in the pivotal role of literature in shaping, and reflecting, the moral landscape of its time.