この電子書籍について
The two-volume set LNCS 9981 and 9982 constitutes the refereed proceedings of the 15th International Semantic Web Conference, ISWC 2016, which was held in Kobe, Japan, in October 2016. The 75 full papers presented in these proceedings were carefully reviewed and selected from 326 submissions.
The International Semantic Web Conference is the premier forum for Semantic Web research, where cutting edge scientific results and technological innovations are presented, where problems and solutions are discussed, and where the future of this vision is being developed. It brings together specialists in fields such as artificial intelligence, databases, social networks, distributed computing, Web engineering, information systems, human-computer interaction, natural language processing, and the social sciences.
The Research Track solicited novel and significant research contributions addressing theoretical, analytical, empirical, and practical aspects of the Semantic Web. The Applications Track solicited submissions exploring the benefits and challenges of applying semantic technologies in concrete, practical applications, in contexts ranging from industry to government and science. The newly introduced Resources Track sought submissions providing a concise and clear description of a resource and its (expected) usage. Traditional resources include ontologies, vocabularies, datasets, benchmarks and replication studies, services and software. Besides more established types of resources, the track solicited submissions of new types of resources such as ontology design patterns, crowdsourcing task designs, workflows, methodologies, and protocols and measures.
The International Semantic Web Conference is the premier forum for Semantic Web research, where cutting edge scientific results and technological innovations are presented, where problems and solutions are discussed, and where the future of this vision is being developed. It brings together specialists in fields such as artificial intelligence, databases, social networks, distributed computing, Web engineering, information systems, human-computer interaction, natural language processing, and the social sciences.
The Research Track solicited novel and significant research contributions addressing theoretical, analytical, empirical, and practical aspects of the Semantic Web. The Applications Track solicited submissions exploring the benefits and challenges of applying semantic technologies in concrete, practical applications, in contexts ranging from industry to government and science. The newly introduced Resources Track sought submissions providing a concise and clear description of a resource and its (expected) usage. Traditional resources include ontologies, vocabularies, datasets, benchmarks and replication studies, services and software. Besides more established types of resources, the track solicited submissions of new types of resources such as ontology design patterns, crowdsourcing task designs, workflows, methodologies, and protocols and measures.
著者について
Alasdair James Gray was born on Dec. 28, 1934, in Glasgow to Amy (Fleming) and Alexander Gray. His mother worked in a clothing warehouse, his father in construction. Mr. Gray studied design and mural painting at the Glasgow College of Art. When he graduated in 1957, he was commissioned to paint murals around Glasgow, which he continued to create until 2014. He worked on freelance projects and also wrote plays before publishing his first novel. Whether he was creating etchings for his books or a mural to adorn the ceiling of the Glasgow arts and entertainment venue Oran Mor, Mr. Gray created an unusual niche for himself encompassing Scotland's literary and artistic spheres. While his murals can be found at subway stops and restaurants in Glasgow, some of his works are in the collection of the National Galleries of Scotland. In addition to writing fiction, poems and plays for the stage, television and radio Mr. Gray published an autobiography, A Life in Pictures, in 2010. It combined photos, written descriptions and lavish illustrations to reveal that much of Mr. Gray's personal life was embedded in his work. Alasdair James Gray passed away on December 29, 2019 at the age of 85.
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