The Sense of Sound: Musical Meaning in France, 1260-1330

Emma Dillon

2012년 4월 · Oxford University Press

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The Sense of Sound is a radical recontextualization of French song, 1260-1330. Situating musical sound against sonorities of the city, madness, charivari, and prayer, it argues that the effect of verbal confusion popular in music abounds with audible associations, and that there was meaning in what is often heard as nonsensical.

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Emma Dillon is Chair of Musicology, Kings College, London, and specialist of medieval music. She is author of Medieval Music-Making and the Roman de Fauvel (2002).