The Songs of the Kings: A Novel
Dis 2007 · Kuthengiswe ngu-Anchor
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“Troy meant one thing only to the men gathered here, as it did to their commanders. Troy was a dream of wealth; and if the wind continued the dream would crumble.”
As the harsh wind holds the Greek fleet trapped in the straits at Aulis, frustration and political impotence turn into a desire for the blood of a young and innocent woman – blood that will appease the gods and allow the troops to set sail. And when Iphigeneia, Agamemnon’s beloved daughter, is brought to the coast under false pretences, and when a knife is fashioned out of the finest and most precious of materials, it looks as if the ships will soon be on their way. But can a father really go to these lengths to secure political victory, and can a daughter willingly give up her life for the worldly ambitions of her father?
Throwing off the heroic values we expect of them, Barry Unsworth’s mythic characters embrace the political ethos of the twenty-first century and speak in words we recognize as our own. The blowhard Odysseus warns the men to not “marginalize” Agamemnon and to “strike while the bronze is hot.” High-sounding principles clash with private motives, and dark comedy ensues. Here is a novel that stands the world on its head.
As the harsh wind holds the Greek fleet trapped in the straits at Aulis, frustration and political impotence turn into a desire for the blood of a young and innocent woman – blood that will appease the gods and allow the troops to set sail. And when Iphigeneia, Agamemnon’s beloved daughter, is brought to the coast under false pretences, and when a knife is fashioned out of the finest and most precious of materials, it looks as if the ships will soon be on their way. But can a father really go to these lengths to secure political victory, and can a daughter willingly give up her life for the worldly ambitions of her father?
Throwing off the heroic values we expect of them, Barry Unsworth’s mythic characters embrace the political ethos of the twenty-first century and speak in words we recognize as our own. The blowhard Odysseus warns the men to not “marginalize” Agamemnon and to “strike while the bronze is hot.” High-sounding principles clash with private motives, and dark comedy ensues. Here is a novel that stands the world on its head.
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Barry Unsworth was born in 1930 and grew up in a mining town in northeast England. Descended from a long line of coal miners, he was the first Unsworth to escape the mines. He attended Manchester University and published his first novel, The Partnership, in 1966. He is the author of seventeen books, including The Ruby in Her Navel, longlisted for the Booker Prize; Pascali’s Island and Morality Play, both shortlisted for the Booker; and Sacred Hunger, co-winner of the Booker Prize. He died in 2012 at the age of eighty-one.
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