The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

M. Flisfeder

jan 2016 · Springer

Over dit e-boek

Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.

Over de auteur

Matthew Flisfeder is Assistant Professor in the Department of Rhetoric, Writing, and Communications, at the University of Winnipeg, Canada. He is author of Postmodern Theory and Blade Runner (2017), and co-editor (with Louis-Paul Willis) of Žižek and Media Studies: A Reader (2014).