The Trampling Of The Lilies

Raphael Sabatini

marras 2014 · House of Stratus

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As France embarked upon her bloody revolution in 1789, La Boulaye was a man with no personal grievance against the aristocracy – until his employer, the Marquis de Fresnoy de Bellecour, ruthlessly beat and dismissed him for falling in love with Suzanne, his beautiful daughter. Faced with no job and an uncertain destiny, La Boulaye devoted himself to the cause of the Revolution. Four years later, at the height of the aristocratic executions, Beulaye comes face to face with the Marquis once more – yet now it is he who holds the power and his former master who must beg for mercy.

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Rafael Sabatini, creator of some of the world’s best-loved heroes, was born in Italy in 1875 to an English mother and Italian father, both well-known opera singers. He was educated in Portugal and Switzerland, but at seventeen moved to England, where, after a brief stint in the business world, he started to write. Fluent in a total of five languages, he nonetheless chose to write in English, claiming that ‘all the best stories are written in [that language]’. His writing career was launched with a collection of short stories, followed by several novels. Fame, however, came with ‘Scaramouche’, the much-loved story of the French Revolution, which became an international bestseller. ‘Captain Blood’ followed soon after, which resulted in a renewed enthusiasm for his earlier work which were rushed into reprint. For many years a prolific writer, he was forced to abandon writing in the 1940’s through illness and eventually died in 1950. Sabatini is best remembered for his heroic characters and high-spirited novels, many of which have been adapted into classic films, including Scaramouche, Captain Blood and The Sea Hawk. They appeal to both a male and female audience with drama, romance and action, all placed in historical settings. It was once stated in the ‘Daily Telegraph’ that ‘one wonders if there is another storyteller so adroit at filling his pages with intrigue and counter-intrigue, with danger threaded with romance, with a background of lavish colour, of silks and velvets, of swords and jewels.’