The Voice of the People

Ellen Glasgow

ጃን 1902 · IndyPublish.com

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1900. Glasgow's realistic fiction novels often showed the female characters as stronger than the male characters. It was this new type of Southern fiction that made Ellen Glasgow one of the major writers of her time. The vantage point from which most of her nineteen novels were written was her native home of Richmond, Virginia. She received the Pulitzer prize in 1942. The book begins: The last day of Circuit Court was over at Kingsborough. The Jury had vanished from the semicircle of straight-backed chairs in the old courthouse, the clerk had laid aside his pen along with his air of listless attention, and the judge was making his way through the straggling spectators to the sunken stone steps of the platform outside. As the crowd in the doorway parted slightly, a breeze passed into the room, scattering the odors of bad tobacco and farm-stained clothing. The sound of a cowbell came through one of the small windows, from the green beyond, where a red-and-white cow was browsing among the buttercups. See other titles by this author available from Kessinger Publishing.

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Ellen Anderson Gholson Glasgow (April 22, 1873 -November 21, 1945) was an American novelist who portrayed the changing world of the contemporary south. Glasgow was born in Richmond, Virginia, of a mother who traced her ancestry to the Cavalier settlers of Tidewater Virginia and a father who descended from the Scotch-Irish of the Shenandoah Valley. She was a writer whose divided background helps explain her ability to combine romantic sensibility with tough-minded realism. For the Virginia Edition of her works, published by Scribner in 1938 and now out of print, she chose 12 of her 18 novels and divided them into two main groups. What she called "novels of character and comedies of manners" consist of five works: The Battle-Ground (1902); The Deliverance (1904); They Stooped to Folly (1929); Virginia (1913); and Barren Ground (1925). The remaining seven novels she grouped under the heading "social history in the form of fiction." Covering almost 100 years of life in the Old Dominion, they are perhaps better read in historical sequence rather than the order in which they were originally published: The Miller of Old Church (1911); The Romantic Comedians (1926); The Voice of the People (1900); The Romance of a Plain Man (1909); Life and Gabriella (1916); The Sheltered Life (1932); and Vein of Iron (1935). The new prefaces that she wrote for each volume of the Virginia Edition form a valuable record of her literary growth and a treatise on novel writing that compares favorably with the prefaces that Henry James wrote for the New York Edition of his works. With the addition of an introduction to the one novel she published subsequently, the Pulitzer Prize-winning In This Our Life (1941), these prefaces were brought together and published as A Certain Measure (1943). The Woman Within (1954), her own story of her inner life, parallels her fiction in its account of a courageous woman who refused to become a victim of the outmoded codes of chivalry and male domination that characterized the Old South of her heritage. She remains a transitional figure of considerable importance in the literary history of America.