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The third volume in the New York Times bestselling Wes Anderson Collection series showcases the best artwork from “Bad Dads,” an annual exhibition of art inspired by the films of Wes Anderson.
Curated by Spoke Art Gallery in San Francisco, “Bad Dads” has continued to grow and progress as a dynamic group exhibition since its inaugural show in 2011, and has featured work from more than 400 artists from around the world. Those artworks range from paintings to sculptures to limited-edition screen prints and vary greatly in style, making for a diverse and lively show each year. Though each piece is distinct in its own right, the artworks’ unifying element is the shared imagery and beloved characters from:
· Bottle Rocket
· Rushmore
· The Royal Tenenbaums
· The Life Aquatic with Steve Zissou
· The Darjeeling Limited
· Fantastic Mr. Fox
· Moonrise Kingdom
· The Grand Budapest Hotel
The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collection books.
A visual treasure trove, Bad Dads grants fans of Wes Anderson another creative avenue to explore his inspired worlds and movies.
Also available from Matt Zoller Seitz: The Oliver Stone Experience, Mad Men Carousel, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.
Curated by Spoke Art Gallery in San Francisco, “Bad Dads” has continued to grow and progress as a dynamic group exhibition since its inaugural show in 2011, and has featured work from more than 400 artists from around the world. Those artworks range from paintings to sculptures to limited-edition screen prints and vary greatly in style, making for a diverse and lively show each year. Though each piece is distinct in its own right, the artworks’ unifying element is the shared imagery and beloved characters from:
· Bottle Rocket
· Rushmore
· The Royal Tenenbaums
· The Life Aquatic with Steve Zissou
· The Darjeeling Limited
· Fantastic Mr. Fox
· Moonrise Kingdom
· The Grand Budapest Hotel
The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collection books.
A visual treasure trove, Bad Dads grants fans of Wes Anderson another creative avenue to explore his inspired worlds and movies.
Also available from Matt Zoller Seitz: The Oliver Stone Experience, Mad Men Carousel, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.
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Spoke Art is a San Francisco–based gallery, run by Ken Harman, that specializes in new contemporary painting, sculpture, and illustration. They curate a series of rotating monthly exhibits that feature a wide variety of solo and group shows. Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor in chief of RogerEbert.com.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours’worth of video essays about cinema history and style for the Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off into a New York Times bestselling hardcover book series: The Wes Anderson Collection (Abrams, 2013) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015).
Seitz is the founder and original editor of the House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours’worth of video essays about cinema history and style for the Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off into a New York Times bestselling hardcover book series: The Wes Anderson Collection (Abrams, 2013) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015).
Seitz is the founder and original editor of the House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
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