The World as Will and Idea 1: Top of Schopenhauer

Arthur Schopenhauer

marras 2015 · Top of Schopenhauer Kirja 10 · 谷月社

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The style of “Die Welt als Wille und Vorstellung” is sometimes loose and involved, as is so often the case in German philosophical treatises. The translation of the book has consequently been a matter of no little difficulty. It was found that extensive alteration of the long and occasionally involved sentences, however likely to prove conducive to a satisfactory English style, tended not only to obliterate the form of the original but even to imperil the meaning. Where a choice has had to be made, the alternative of a somewhat slavish adherence to Schopenhauer's ipsissima verba has accordingly been preferred to that of inaccuracy. The result is a piece of work which leaves much to be desired, but which has yet consistently sought to reproduce faithfully the spirit as well as the letter of the original.

As regards the rendering of the technical terms about which there has been so much controversy, the equivalents used have only been adopted after careful consideration of their meaning in the theory of knowledge. For example, “Vorstellung” has been rendered by “idea,” in preference to “representation,” which is neither accurate, intelligible, nor elegant. “Idee,” is translated by the same word, but spelled with a capital,—“Idea.” Again, “Anschauung” has been rendered according to the context, either by “perception” simply, or by “intuition or perception.”

Notwithstanding statements to the contrary in the text, the book is probably quite intelligible in itself, apart from the treatise “On the Fourfold Root of the Principle of Sufficient Reason.” It has, however, been considered desirable to add an abstract of the latter work in an appendix to the third volume of this translation.

 

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Arthur Schopenhauer (22 February 1788 – 21 September 1860) was a German philosopher. He is best known for his 1818 work The World as Will and Representation, in which he characterizes the phenomenal world, and consequently all human action, as the product of a blind, insatiable, and malignant metaphysical will.

Proceeding from the transcendental idealism of Immanuel Kant, Schopenhauer rejected the contemporaneous post-Kantian philosophies of German idealism. Instead, he developed an atheistic metaphysical and ethical system that has been described as an exemplary manifestation of philosophical pessimism. Schopenhauer was among the first thinkers in Western philosophy to share and affirm significant tenets of Eastern philosophy (e.g., asceticism, the world-as-appearance), having initially arrived at similar conclusions as the result of his own philosophical work. His writing on aesthetics, morality, and psychology would exert important influence on thinkers and artists throughout the 19th and 20th centuries.