The Wreck of the Medusa

Jonathan Miles

oct 2008 · Open Road + Grove/Atlantic

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A “thrilling . . . captivating” account of the most famous shipwreck before the Titanic—a tragedy that inspired an unforgettable masterpiece of Western art (The Boston Globe).
 
In June 1816, the Medusa set sail. Commanded by an incompetent captain, the frigate ran aground off the desolate West African coast. During the chaotic evacuation a privileged few claimed the lifeboats, while 147 men and one woman were herded aboard a makeshift raft that was soon cut loose by the boats that had pledged to tow it to safety.
 
Those on the boats made it ashore and undertook a two-hundred-mile trek through the sweltering Sahara, but conditions were far worse on the drifting raft. Crazed, parched, and starving, the diminishing band fell into mayhem. When rescue arrived thirteen days later, only fifteen were alive.
 
Among the handful of survivors were two men whose bestselling account of the maritime disaster scandalized Europe and inspired promising artist Théodore Géricault, who threw himself into a study of the Medusa tragedy, turning it into a vast canvas in his painting, The Raft of the Medusa.
 
Drawing on contemporaneously published accounts and journals of survivors, The Wreck of the Medusa is “a captivating gem about art’s relation to history” (Booklist) and ultimately “a thrilling read” (The Guardian).

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The Wreck of the Medusa is Jonathan Miles's spellbinding account of the most famous shipwreck before the Titanic. Drawing on contemporaneously published accounts and journals of survivors, Miles brilliantly reconstructs the ill-fated voyage and the events that inspired Theodore Gericault's magnificent painting The Raft of the Medusa.

In July of 1816, the French frigate Medusa, bound for the Senegalese port colony of Saint Louis under the command of an incompetent royalist captain, hit a famously treacherous reef. In the chaos that ensued, the commander and a privileged few claimed the lifeboats. The rest were herded onto a makeshift raft and set adrift. Without a compass or many provisions, hit by a vicious storm the first night and exposed to sweltering heat during the following days, the group set upon each other: mayhem, mutiny, and murder ensued. When rescue arrived thirteen days later, only fifteen were alive.

Two survivors' written account of the tragedy became an international best seller that exposed far-reaching corruption in Restoration France. The scandal inspired a young artist, Theodore Gericault, whose iconic depiction of suffering and hope won first prize at the Salon of 1819 and captivated viewers in the Louvre for centuries to come.