Par šo e-grāmatu
Pout, the chimera, half-man, half-ape, was incorporated into one of the plants or vice versa. He was jammed into a squatting position, while the stems, entering at his buttocks, merged with his legs, his arms and his torso, emerging at knees, elbows, and through his abdomen and thorax. A large, yellow-petalled flower seemed to frame his face.
It was his face that rivetted Ikematsu's attention, while the chimera squirmed in dumb distress, glaring with huge piteous eyes. For in that face, set into it as if set in pudding, was the zen gun. The gun was his face, or a part of it. The barrel pointed straight out in place of a nose... the stock merged with and disappeared into Pout's pendulous mouth.
Ikematsu leaned toward the chimera. "How you loved your toy! Now it is truly yours!"
It was his face that rivetted Ikematsu's attention, while the chimera squirmed in dumb distress, glaring with huge piteous eyes. For in that face, set into it as if set in pudding, was the zen gun. The gun was his face, or a part of it. The barrel pointed straight out in place of a nose... the stock merged with and disappeared into Pout's pendulous mouth.
Ikematsu leaned toward the chimera. "How you loved your toy! Now it is truly yours!"
Par autoru
Barrington J. Bayley (1937-2008)
Barrington John Bayley was born in Birmingham and began writing science fiction in his early teens. After serving in the RAF, he took up freelance writing on features, serials and picture strips, mostly in the juvenile field, before returning to straight SF. He was a regular contributor to the influential New Worlds magazine and an early voice in the New Wave movement.
For more information see www.sf-encyclopedia.com/entry/bayley_barrington_j
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