To most people, that’s a bold statement. I just wish I’d been the one to say it, but I wasn’t. In fact, until a few days ago, I wasn’t even sure what it meant.
You might say that, on the surface, it’s a very simple concept: Either you’re the type of person who lives within a set of boundaries or the type who knows none. But life is never that simple, is it? No, I’d say that the most important insights about who we are, what we say, and why we do things are not always the obvious ones. Instead, they’re discovered on the streets of your hometown, revealed late at night in a dark backroom, or sometimes forced upon you at knifepoint where your only choices for survival are between bad and worse.
In The Art of Raising Hell, Newbie Johnson has recently moved to Bunsen Creek, Illinois, when his mother is killed in a tragic car crash. His father does his best to maintain a normal household, but his broken heart is just not up to the task. Newbie finds solace by hanging out with his three buddies in their clandestine Backroom hideout. Getting into mischief becomes their favorite pastime as they try to follow in the footsteps of Lonny Nack, who has perfected the art of running on all four.
“Running on all four” takes on a new meaning for Newbie when he finds his inner voice and begins to understand the difference between chasing life and being chased by it.
Thomas Lopinski grew up in a quaint small town in Illinois called Georgetown with one stoplight, one high school, one square, one lake, one police car, and one hundred ways to get into trouble. It was a wonderful place to be a child. He studied at the University of Illinois and later moved to Southern California with his wife and children to work in the music business. He is also a member of the Independent Writers of Southern California (IWOSC). His first novel, Document 512, won several awards and recognition in 2012-2013 from Readers View Reviewers Choice Awards, Best Indie Book Awards, IndieFab Awards and the National Indie Excellence Book Awards.