A Google user
It is my belief that people unwittingly compartmentalize many of our most secret thoughts, insights, beliefs and feelings. In "Irish Girl", Tim Johnston seems to have a key to these compartments, and he paints the shadows of their contents into his characters in such a way that we see something of ourselves, comfortable, and not so comfortable.
His stories are not just what we find on the page, but the undercurrent that lingers during and after each reading. Between the content and style, there is more sense of tragedy than triumph, and perhaps an edgy element of nerve. His writing is deft, his insight acute, and his stories smartly weave character and plot with internal and external dialogue that is simply remarkable.