This study describes in detail the development of ColeridgeÂs attitude to nature as it is reflected in his poetry. It analyses the different stages of ColeridgeÂs search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of ColeridgeÂs major poems like ÂThe Ancient Mariner and ÂDejection: an OdeÂ, and tries to rehabilitate some minor ones, like ÂThe PictureÂ. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of ColeridgeÂs views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.
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