Trent's Last Case: Mystery & Detective Collections
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When the scheming, indomitable brain of Sigsbee Manderson was scattered by a shot from an unknown hand, that world lost nothing worth a single tear; it gained something memorable in a harsh reminder of the vanity of such wealth as this dead man had piled up—without making one loyal friend to mourn him, without doing an act that could help his memory to the least honour. But when the news of his end came, it seemed to those living in the great vortices of business as if the earth too shuddered under a blow.
In all the lurid commercial history of his country there had been no figure that had so imposed itself upon the mind of the trading world. He had a niche apart in its temples. Financial giants, strong to direct and augment the forces of capital, and taking an approved toll in millions for their labour, had existed before; but in the case of Manderson there had been this singularity, that a pale halo of piratical romance, a thing especially dear to the hearts of his countrymen, had remained incongruously about his head through the years when he stood in every eye as the unquestioned guardian of stability, the stamper-out of manipulated crises, the foe of the raiding chieftains that infest the borders of Wall Street...
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Autoren-Profil
Bentley was born in London and educated at St Paul's School and Merton College, Oxford. His father, John Edmund Bentley, was professionally a civil servant but was also a rugby union international having played in the first ever international match for England against Scotland in 1871. Bentley worked as a journalist on several newspapers, including the Daily Telegraph. He also worked for the imperialist weekly called The Outlook during the editorship of James Louis Garvin. His first published collection of poetry, titled Biography for Beginners (1905), popularized the clerihew form; it was followed by two other collections, More Biography (1929) and Baseless Biography (1939). His detective novel, Trent's Last Case (1913), was much praised, numbering Dorothy L. Sayers among its admirers, and with its labyrinthine and mystifying plotting can be seen as the first truly modern mystery. It was adapted as a film in 1920, 1929, and 1952. The success of the work inspired him, after 23 years, to write a sequel, Trent's Own Case (1936). There was also a book of Trent short stories, Trent Intervenes. Several of his books were reprinted in the early 2000s by House of Stratus.
From 1936 until 1949 Bentley was president of the Detection Club. He contributed to two crime stories for the club's radio serials broadcast in 1930 and 1931, which were published in 1983 as The Scoop and Behind The Screen. In 1950 he contributed the introduction to a Constable & Co omnibus edition of Damon Runyon's "stories of the bandits of Broadway", which was republished by Penguin Books in 1990 as On Broadway.
He died in 1956 in London at the age of 80. His son Nicolas Bentley was a famous illustrator.
Phonographic recordings of his work "Recordings for the Blind" are heard in the movie Places in the Heart, by the character Mr. Will.
G. K. Chesterton dedicated his popular detective novel on anarchist terrorism, The Man Who Was Thursday, to Edmund Clerihew Bentley, a schoolfriend.
