Gloria

G. Frederic Turner

Sep 2020 · Library of Alexandria

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Christmas Eve in New York! Broadway crowded with happy playgoers, gay promenaders, and belated shoppers! Fifth Avenue resplendent with an abundance of commercially-conceived festivity in the overstocked windows of its fashionable shops! In other and less pretentious localities, gaunt lines of assassinated turkeys exhibiting their sallow nudities in indecent profusion to a steady stream of ever-changing faces! In short, everywhere throughout the big city, the people holding high carnival—even cynicism forgetting itself in the prospect of gallinaceous food and crude sweetmeats. And Central Park West and the Circle, in particular, scintillating with electrical display and wreaths of red-ribboned holly.

In the New Theatre a gala performance of Antony and Cleopatra was nearly over; the last lines of the tragedy were being spoken. Yet, notwithstanding the fact that in another moment the folds of the red velvet curtains would descend on the Egyptian scene, an occupant of one of the stalls, no longer able to control his impatience, hastily left his seat and started up the adjoining aisle.

To say that this young man gave every physiognomical indication of being a soul in distress would be putting it not a bit too strongly. Nor would it have required exceptionally brilliant intuitive faculties to conjecture that someone—presumably in a box across the theatre, on which, all through the evening, his eyes had been riveted—had shamelessly robbed him of his heart. Moreover, judging from his evident haste and the keen anxiety with which all the way up the aisle he followed every movement of the parties in the box, it would seem that he had determined to intercept them on their way out. And, indeed, such was his determination. Life had concentrated itself into a question of hearing from the lips of the woman,—the woman to whom he had offered, and who had refused, the worship of a life,—a word that he could interpret as meaning that there was still a faint possibility of her changing her mind.

To his vexation, however, he found that others likewise had left their seats. In fact, the general exodus had already set in before, even, he had reached the top of the aisle. And yet, despite his being thoroughly aware that any attempt to pass from one side of the house to the other was sure to be resented,—so delirious is the haste in which a metropolitan audience takes leave of the theatre for the invariable restaurant-supper after the play,—he continued to make strenuous efforts to cut his way through, until realising, finally, that it was useless, he let himself be borne along by the crowd. But his chance came when the carriage-vestibule on Sixty-Fifth Street was reached. And there, quick to take advantage of an almost imperceptible cessation of the onward movement—consequent upon the people searching the ingeniously-devised board to ascertain whether the desired motors or carriages headed the long line—he again started in to elbow his way through the crush; and so successfully this time that presently comparatively few persons separated him from an undeniably blond and dashing young woman, in a magnificent opera-cloak of Russian sables, who was laughing and chatting with half a dozen or more vapid youths while following the lead of a portly and somewhat red-faced old gentleman.