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NO! We can't change the subject! This is the subject! There is no other subject. Not for us.'
Sickened by the everyday arguments and compromises he saw around him in his native London, the idealistic Josh has moved to Israel and joined the army. There, however, he finds himself in a situation with a Palestinian terror suspect which seems to challenge his most strongly held beliefs.
Deftly cutting between different locations and time periods, Ryan Craig's play lets us see unexpected connections between disparate events, as well as bringing together people with apparently nothing in common. A wryly humerous, sometimes hilarious, look at a serious issue, What We Did To Weinstein moves between London life and the world of the intifada, creating a portrait of a society where idealism too easily becomes extremism and pragmatism hypocrisy.
Sickened by the everyday arguments and compromises he saw around him in his native London, the idealistic Josh has moved to Israel and joined the army. There, however, he finds himself in a situation with a Palestinian terror suspect which seems to challenge his most strongly held beliefs.
Deftly cutting between different locations and time periods, Ryan Craig's play lets us see unexpected connections between disparate events, as well as bringing together people with apparently nothing in common. A wryly humerous, sometimes hilarious, look at a serious issue, What We Did To Weinstein moves between London life and the world of the intifada, creating a portrait of a society where idealism too easily becomes extremism and pragmatism hypocrisy.
關於作者
Ryan Craig won a Fringe First for his play Broken Road at the Edinburgh Fringe and was nominated for Most Promising Playwright at the Evening Standard Awards in 2005. He has also worked extensively in television and radio. Oberon Books publishes his plays, Happy Savages, What We Did To Weinstein, The Glass Room, Portugal, Our Class and Talk Talk, Fight Fight his contribution to The Bomb: A Partial History. Ryan Craig is currently Writer-in-Residence at the National Theatre Studio.
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