William J. Palmer is the author of the "Mr. Dickens" series of Victorian murder mysteries which have been selections of The Literary Guild, The Book of the Month Club, The Mystery Guild, and The Doubleday Book Club. Two of these novels have also been optioned for feature film production. He has also written books on film history and novel criticism. He is a professor in the English Department at Purdue University and lives in West Lafayette, Indiana, in close proximity to the Wabash River.
Wilkie Collins was born in London, England on January 8, 1824. He worked first in business and then law, but eventually turned to literature. During his lifetime, he wrote 30 novels, more than 60 short stories, at least 14 plays, and more than 100 non-fiction pieces. His works include Antonia, The Woman in White, The Moonstone, The Haunted Hotel, and Heart and Science. He was a close friend of Charles Dickens and collaborated with him. He died on September 23, 1889.
Rees is quickly pulled into the murky politics of both Salem and the Boothe family, who have long been involved in the robust shipping and trading industry on the Salem harbor. Everyone Rees meets seems to be keeping some kind of secret, but could any of them actually have committed murder?
Will Rees returns in Death in Salem, the next delightful historical mystery from MB/MWA First Novel Competition winner Eleanor Kuhns.
Despite the wintry weather and icy roads, Rees and Lydia set out for New York, where they sadly conclude that Mouse is probably right and the children would be better off with her. There's nothing they can do for Mouse legally, though, and they reluctantly set out for home. But before they've travelled very far, they receive more startling news: Maggie Whitney has been found murdered, and Mouse is the prime suspect.
In Cradle to Grave, Eleanor Kuhns returns with the clever plotting, atmospheric historical detail, and complexly drawn characters that have delighted fans and critics in her previous books.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
Even more startling, the late curator was involved in the Priory of Sion—a secret society whose members included Sir Isaac Newton, Victor Hugo, and Da Vinci—and he guarded a breathtaking historical secret. Unless Langdon and Neveu can decipher the labyrinthine puzzle—while avoiding the faceless adversary who shadows their every move—the explosive, ancient truth will be lost forever.