The stories in Winesburg, Ohio are of a decidedly melancholy nature, but their real beauty lies in the vivid characterization of the big personalities living in the small town. The simplicity of Anderson’s plain-styled prose paints a rich picture, with each character precisely portrayed in all of their dusty down-to-earth physicality. One can almost picture the narrator as the whiskey-soaked voice of Tom Waits, rolling each syllable around in his mouth as the summer heat lies heavy in the twilight air.
Atmosphere aside, the stories are also unique in that Anderson creates narrative tension not with plot development, but with insights into the psychology of the kinds of people who choose, or don’t choose, to live in Winesburg. This makes the novel one of the earliest examples of literary modernism. It was praised by its contemporaries on publication, with H. L. Mencken stating that the novel “embodies some of the most remarkable writing done in America in our time.” It remained both acclaimed and widely read throughout the 1930s, when its popularity waned with the author’s own. In the 1960s critics reevaluated it, firmly placing it in the canon of modern American classics.
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