I had resolved not to consent to the printing of these Tales, until after I had joined to them those of Boccaccio, which are those most to my taste; but several persons have advised me to produce at once what I have remaining of these trifles, in order to prevent from cooling the curiosity to see them, which is still in its first ardour. I gave way to this advice without much difficulty, and I have thought well to profit by the occasion. Not only is that permitted me, but it would be vanity on my part to despise such an advantage. It has sufficed me to wish that no one should be imposed upon in my favour, and to follow a road contrary to that of certain persons, who only make friends in order to gain voices in their favour by their means; creatures of the Cabal, very different from that Spaniard who prided himself on being the son of his own works. Although I may still be as much in want of these artifices as any other person, I cannot bring myself to resolve to employ them; however I shall accommodate myself if possible to the taste of the times, instructed as I am by my own experience, that there is nothing which is more necessary. Indeed one cannot say that all seasons are suitable for all classes of books. We have seen the Roundelays, the Metamorphoses, the Crambos, reign one after another. At present, these gallantries are out of date and nobody cares about them: so certain is it that what pleases at one time may not please at another! It only belongs to works of truly solid merit and sovereign beauty, to be well received by all minds and in all ages, without possessing any other passport than the sole merit with which they are filled. As mine are so far distant from such a high degree of perfection, prudence advises that I should keep them in my cabinet unless I choose well my own time for producing them. This is what I have done, or what I have tried to do in this edition, in which I have only added new Tales, because it seemed to me that people were prepared to take pleasure in them. There are some which I have extended, and others which I have abridged, only for the sake of diversifying them and making them less tedious. But I am occupying myself over matters about which perhaps people will take no notice, whilst I have reason to apprehend much more important objections. There are only two principal ones which can be made against me; the one that this book is licentious; the other that it does not sufficiently spare the fair sex. With regard to the first, I say boldly that the nature of what is understood as a tale decided that it should be so, it being an indispensable law according to Horace, or rather according to reason and common sense, that one must conform one's self to the nature of the things about which one writes. Now, that I should be permitted to write about these as so many others have done and with success I do not believe it can be doubted; and people cannot condemn me for so doing, without also condemning Ariosto before me and the Ancients before Ariosto. It may be said that I should have done better to have suppressed certain details, or at least to have disguised them. Nothing was more easy, but it would have weakened the tale and taken away some of its charm: So much circumspection is only necessary in works which promise great discretion from the beginning, either by their subject or by the manner in which they are treated. I confess that it is necessary to keep within certain limits, and that the narrowest are the best; also it must be allowed me that to be too scrupulous would spoil all. He who would wish to reduce Boccaccio to the same modesty as Virgil, would assuredly produce nothing worth having, and would sin against the laws of propriety by setting himself the task to observe them. For in order that one may not make a mistake in matters of verse and prose, extreme modesty and propriety are two very different things. Cicero makes the latter consist in saying what is appropriate one should say, considering the place, the time, and the persons to whom one is speaking. This principle once admitted, it is not a fault of judgment to entertain the people of to-day with Tales which are a little broad. Neither do I sin in that against morality.
Der Kern des vorliegenden Buches widmet sich der Frage, wie sich Südafrikas politisches System in den letzten 20 Jahren seit der Transition ab Mitte der 1990er Jahre entfaltet hat. Dabei soll der Fokus zum einen auf die grundlegenden institutionellen und rechtlichen Strukturen gerichtet sein. Zum anderen ist zu hinterfragen, inwiefern der Föderalismus das Land in arme und reiche Teile aufteilt, was durch fehlende Ausgleichsmechanismen mittelfristig für Konflikte sorgt. Ein weiterer Themenblock setzt sich mit der Frage der politischen Beteiligungsmöglichkeiten der Bevölkerung auseinander. In einzelnen Abschnitten werden die zentralen Institutionen der politischen Repräsentation und Artikulation untersucht, d.h. Parteien, Gewerkschaften, Interessenverbände, Nichtregierungsorganisationen und soziale Bewegungen, aber auch die Rolle der Print- und TV-Medien. Schließlich sollen die Hoffnungen und Ängste der unterschiedlichen Bevölkerungsgruppen einzelnen Politikbereichen gegenübergestellt werden. Dabei liegt der Schwerpunkt zum einen auf ökonomischen Fragen mit der Analyse der Wirtschafts-, der Steuer-, der Finanz- und der Landwirtschaftspolitik. Dann folgt ein Komplex, der sich mit der menschlichen Entwicklung auseinandersetzt und die Sozial-, Bildungs-, Gesundheits- und Gleichstellungspolitik unter die Lupe nimmt. Schließlich wird die Entwicklung der Außenpolitik und der regionalen Integration untersucht, die für die Dynamik der südafrikanischen Ökonomie von zentraler Bedeutung sind.
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