Over half a century later, Angkor Wat by luke kurtis is both the artist's homage to Ginsberg's text as well a celebration of his own pilgrimages to the ancient city. Published in 1968, Ginsberg's Angkor Wat book was a single long poem accompanied by photographs by Alexandra Lawrence. kurtis's book is a suite of poems paired with his original photography. Chronicling the poet's own travels where he explored mythical stories and experienced mystical visions, kurtis's poems take you on a tour of Angkor Wat (and beyond) unlike any other and tell the story of one American poet deepening his Buddhist spirituality.
luke kurtis is a Georgia-born interdisciplinary artist focusing on the intersection of photography, writing, and design. He has exhibited work in galleries and alternative spaces around the country, including solo exhibitions at New York Public Library and Massillon Museum. Select books include INTERSECTION, The Language of History, and Angkor Wat, all part of an ongoing series that combines photography, writing, and design. His albums of experimental music include obscure mechanics and electronic quartets. He also makes short films, including the woods are watching and convergence, both documenting his installation art projects of the same names. His studio, bd-studios.com, publishes work both by himself and other artists and writers, and he is the co-founder of New Lit Salon Press. He lives and works in New York City’s Greenwich Village. Visit luke at http://bd-studios.com.
Not a typical selected-works collection, nor exclusively new work, the immeasurable fold is based upon a manuscript of poems written in early 2000 titled lazy dreams and other memories. Though the full-length manuscript remains unpublished, in 2005 kurtis included a selection of those poems (along with a few newer ones) in his debut solo exhibition, for which he used the same title. bd-studios.com published a small, limited edition exhibition catalog of those poems and photographs. Long out-of-print, those poems, additional/unpublished poems from the original manuscript, as well as new poems written in the years since—altogether spanning a decade and a half, from 2000 through 2015—have been compiled in this new collection.