About this ebook
Honorable Mention, 2018 Elli Kongas-Maranda Professional Award presented by the Women's Studies Section of the American Folklore Society
Winner of the 2018 Katherine Singer Kovacs Prize presented by the Modern Language Association
Winner of the 2016 Victoria Urbano Critical Monograph Book Prize presented by the International Association of Hispanic Feminine Literature and Culture
México's Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as "La Adelita" and "La Cucaracha," iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art's crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.
Winner of the 2018 Katherine Singer Kovacs Prize presented by the Modern Language Association
Winner of the 2016 Victoria Urbano Critical Monograph Book Prize presented by the International Association of Hispanic Feminine Literature and Culture
México's Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as "La Adelita" and "La Cucaracha," iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art's crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.
About the author
B. Christine Arce is Assistant Professor of Latin American Literature and Culture at the University of Miami.
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