"Favola fui": Petrarch Writes His Readers

Global Academic Publishing
Free sample

Examines the interplay between reading and writing in the works of Petrarch and Dante.

 

Building upon his 2008 book Dante and the Making of a Modern Author, Albert Russell Ascoli here reflects on the extent to which Petrarch’s addresses to and figurations of his relationship to his readers intersect with the oft-asserted “modernity” of his authorial stances. In particular, Ascoli argues that following in the wake of Dante’s double staging of himself as reader of his own works (especially in the Vita Nuova), Petrarch shows a keen and probing awareness of how the process of poetic signification involves a continual interchange between author and reader, as well as a strong desire to control the nature of that interchange as much as he can. Ascoli asserts that between Dante and Petrarch two primary—and contradictory—features of literary modernity can be identified: the affirmation of the preeminence of authorial intention and the foregrounding of readerly freedom of interpretation.

The Aldo S. Bernardo Lecture Series in the Humanities honors Professor Emeritus Aldo S. Bernardo, his scholarship in medieval Italian literature, and his service to Binghamton University as Professor of Romance Languages and University Distinguished Service Professor. The Bernardo Lecture Series is endowed by the Bernardo Fund and administered by Binghamton University’s Center for Medieval and Renaissance Studies (CEMERS), which Professor Bernardo cofounded and codirected with Professor Bernard Huppé from 1966 to 1973. The series offers annual lectures by distinguished scholars on topics related to Professor Bernardo’s primary fields of interest—medieval and Renaissance Italian literature, with a particular focus on Dante Studies, and intellectual history.

 

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About the author

Albert Russell Ascoli is the Gladyce Arata Terrill Distinguished Professor of Italian Studies at the University of California at Berkeley. He received his BA in English from the University of Illinois at Urbana–Champaign and his MA and PhD in Romance Studies from Cornell, and was a professor of French and Italian and Comparative Literary Studies at Northwestern University before joining the faculty at Berkeley. The winner of numerous awards and fellowships at institutions such as the American Academy in Rome and the Newberry Library, he has edited several volumes and has authored three books and dozens of articles on medieval and Renaissance Italian literature.
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Additional Information

Publisher
Global Academic Publishing
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Published on
Nov 1, 2010
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Pages
47
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ISBN
9781438438078
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Best For
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Language
English
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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Focusing on major authors and problems from the Italian fourteenth and sixteenth centuries, from Petrarch and Boccaccio to Machiavelli, Ariosto and Tasso, A Local Habitation and a Name examines the unstable dialectic of "reality" and "imagination," as well as of "history" and "literature." Albert Ascoli identifies and interprets the ways in which literary texts are shaped by and serve the purposes of multiple, intertwined historical discourses and circumstances, and he equally probes the function of such texts in constructing, interpreting, critiquing, and effacing the histories in which they are embedded. Throughout, he poses the theoretical and methodological question of how formal analysis and literary forms can at once resist and further the historicist enterprise.

Along the way Ascoli interrogates the mechanisms of historical periodization that have governed for so long our study of what is sometimes called the "Renaissance," sometimes the early modern period. He also addresses the period's own unstable version of the literature/history opposition, the place of gendered discourse in the construction of historical narratives (and vice versa), the elaborate formal strategies by which poets and intellectuals negotiate their relations to power, and, finally, the way in which proper names (of authors, works, and exemplary characters) serve as points of negotiation between individual identity and social order in the Renaissance.

The book brings to culmination two decades of a major scholar's thinking about some of the most important figures and questions that shaped the Renaissance, with emphasis on the question of history, both the historical context of literature and the writing of literary history.

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