The tendency to reproduce or copy good old pieces of furniture should be encouraged, for only in this way may a student obtain a proper background, from which may be developed a new style. New ideas, derived from the best of the old, are likely to serve humanity in the best way.
The study of the art of upholstery is an interesting one. It leads into many avenues of interest and profit, such as the history and methods of weaving; the processes of tanning and coloring; the manufacture and history of textiles; and the like. Such correlation is valuable, and each is distinctly educational.
I wish to acknowledge my indebtedness to Prof. Chas. A. Bennett for valuable suggestions and inspiration; to David H. Tingwall for valuable help, and photographs; to A. C. Newell for suggestions on the outlines; to Wm. F. Tuttle for the photographs of antiquarian furniture taken at the Art Institute of Chicago; to Bessie Bennett for certain information about the furniture; to John R. Fasier for the drawing in Fig. ; and to my former and present Bradley students for inspiration and help.
The practical contents have been verified and corroborated by Henry Euler, a practical upholsterer for fifty-nine years, and by Herman Schwartling who has followed the trade for thirty years...FROM THE BOOK.