Mark Twain began work on A Connecticut Yankee in King Arthur's Court in 1879—the same year the Yankee Hank Morgan departed for his sojourn in sixth-century Britain. The first edition was published in 1889 and features more than 200 illustrations by the man who later would become founder of the Boy Scouts of America, Daniel Carter Beard. These illustrations are now in the public domain, and a handful have been incorporated into King Arthur's Sister in Washington's Court as an artistic homage to this classic edition of the first time travel story in all literature.
Kim Headlee lives on a farm in southwestern Virginia with her family, cats, goats, Great Pyrenees goat guards, and assorted wildlife. People and creatures come and go, but the cave and the 250-year-old house ruins—the latter having been occupied as recently as the midtwentieth century—seem to be sticking around for a while yet.
Kim has been an award-winning author since 1999 (Dawnflight, Simon & Schuster) and has been studying Arthurian lore and literature for nigh on half a century.
Lord Dillon needs a bride, immediately, to escape his enemy’s snare. He has always respected the Fairy Race. As a boy, he played with them in the secret glen and was warned that one day he would be called upon to shelter one of their own who has lost her way among mortals.
Tara appears just when he needs her, a strange woman with no memory; a wounded woman needing his protection. A beguiling woman with fey features and a strange tattoo of fairy wings across her back . . .
Bookish museum curator Rebecca Clark has given up on dating. Real life men aren’t nearly as perfect as the men in the paintings and statues she sees every day at her job. But one night she whispers a prayer to the universe to send her the perfect man. She had no idea a goddess is listening...
Devon Blake was Regency London’s most wicked lover but when he sleeps with the wrong woman and leaves her unsatisfied, he finds himself cursed by none other than the Goddess of love herself. After living two centuries trapped as a marble statue, Aphrodite gives Devon one chance to redeem himself or he’ll face an eternity of made of stone. He must prove he can satisfy a woman’s every desire without satisfying his own.
When Rebecca discovers a naked man in her art gallery instead of a priceless statue at midnight she has no idea he’s the answer to her prayers. Aphrodite has sent Devon to be Rebecca’s perfect man. Can Devon earn Rebecca’s love and trust by proving his selflessness or will it be too late?
A war is coming. A warrior is born. Vengeance is the only burial gift he can bestow.
When Angli cattle thieves slaughter his wife and son, Dwras son of Gwyn vows revenge upon their murderers. But how can a mere farmer prevail against ruthless, trained warriors? For the answer Dwras must look not to his sword, but within his heart.
“Good Omens . . . is something like what would have happened if Thomas Pynchon, Tom Robbins and Don DeLillo had collaborated. Lots of literary inventiveness in the plotting and chunks of very good writing and characterization. It’s a wow. It would make one hell of a movie. Or a heavenly one. Take your pick.”—Washington Post
According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner.
So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan. Except a somewhat fussy angel and a fast-living demon—both of whom have lived amongst Earth's mortals since The Beginning and have grown rather fond of the lifestyle—are not actually looking forward to the coming Rapture.
And someone seems to have misplaced the Antichrist . . .
Those who aspire to greatness must first learn servanthood.
Stripped of kin, clan, country, and even his identity for having failed the most important woman in his life and her infant son, Angusel begins the arduous task of rebuilding his life and reclaiming his honor. The path he treads is fraught with uncomfortable revelations, unexpected reconciliations… and unavoidable reckonings.
"Epic." ~ Drue's Random Chatter Reviews.
Betrayed by her father and sold as payment of a Roman tax debt to fight in Londinium's arena, gladiatrix-slave Rhyddes feels like a wild beast in a gilded cage. Celtic warrior blood flows in her veins, but Roman masters own her body. She clings to her vow that no man shall claim her soul, though Marcus Calpurnius Aquila, son of the Roman governor, makes her yearn for a love she believes impossible.
Groomed to follow in his father’s footsteps and trapped in a politically advantageous betrothal, Aquila prefers the purity of combat on the amphitheater sands to the sinister intrigues of imperial politics, and the raw power and athletic grace of the flame-haired Libertas to the adoring deference of Rome's noblewomen.
When a plot to overthrow Caesar ensnares them as pawns in the dark design, Aquila must choose between the Celtic slave who has won his heart and the empire to which they both owe allegiance. Trusting no man and knowing the opposite of obedience is death, the only liberty offered to any slave, Rhyddes must embrace her arena name, Libertas—and the love of a man willing to sacrifice everything to forge a future with her.
WINNER, 2015 BooksGoSocial Best Book.