Australia Under Surveillance: How should we act?

· Verkauft von Random House Australia
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ASIO has kept a file on Frank Moorhouse since he was seventeen. Now Frank has decided it is time to report on ASIO.

This year ASIO has extended its surveillance powers, made the issuing of warrants easier and limited the freedom of journalists. At a time when the government has raised the terrorist alert level to ‘high’ we are facing the question of what degree of terrorist threat we are prepared to endure so as to retain freedoms of expression and what might loosely be called the ‘traditional privacies’.

The paradox is an old one: is a secret agency needed for our safety as a democracy? If so, how does a democracy manage a secret agency without losing control of it? What constitutes an offence against national security? And what are we to make of WikiLeaks and socially conscious hackers and whistleblowers?


Do we need a renewal of the bargain between the citizen and the secret agencies, as unreliable as it may be, as we all go into the glare and the maze of controlled and uncontrollable data collection and its consequences?We are entering a new era, where nothing can be assumed to be private, especially at the governmental level.

More than ever before, our future is unforeseeable, but if in the unforeseeable we see a glimmer of dangerous things, perhaps we should remember that positive things can also be unforeseeable.

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Autoren-Profil

Frank Moorhouse was born in the coastal town of Nowra, NSW. He worked as an editor of small-town newspapers and as an administrator and in 1970s became a full-time writer. He won national prizes for his fiction, non-fiction, and essays. He was best known for the highly acclaimed Edith trilogy, Grand Days, Dark Palace, and Cold Light, novels which follow the career of an Australian woman in the League of Nations in the 1920s and 1930s through to the International Atomic Energy Agency in the 1970s as she struggled to become a diplomat. His last book The Drover’s Wifea reading adventure published in October 2017, brings together works inspired by Henry Lawson’s story and examines the attachment Australia has to the story and to Russell Drysdale’s painting of the same name. Frank was awarded a number of fellowships including writer in residence at King’s College Cambridge, a Fulbright Fellowship, and a fellowship at the Woodrow Wilson Center in Washington. His work has been translated into several languages. He was made a member of the Order of Australia for services to literature in 1985 and was made a Doctor of the University by Griffith University in 1997 and a Doctor of Letters (honoris causa) by the University of Sydney, 2015. Frank Moorhouse died, in Sydney, on 26 June 2022.

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