The scope of the themes covered by the essays comprising this volume not only confirms the significance of comparative studies in contemporary cultural research, but also testifies to the validity of comparative methods, both in individual critical analysis and the writing process. Beneath the well-defined divisions of comparative studies in their inter-disciplinary preoccupations, such as comparisons involved in translation, adaptation, cross-cultural studies or relationships between various arts, this volume exposes to what extent individual cultural texts are founded on comparative structures and concepts, conceptualised through analogies, changes and internal splits.
Edyta Lorek-Jezińska, PhD, is a Lecturer in the Department of English at Nicolaus Copernicus University in Toruń, Poland, where she teaches British cultural studies, gender and British drama. She has published on experiment and site in theatre, as well as gender and intertextuality in British drama. Her publications include The Hybrid in the Limen (2003), Corporeal Inscriptions (co-edited, 2005), and Litteraria Copernicana: Cyborg (co-edited, 2011).