SARVA

MEHTA PUBLISHING HOUSE
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We have two types of readers; those from urban areas and those from rural areas. At times, the urbanites are not familiar with some rural words, so also the ruralites are unfamiliar with some of the urban words. Sa-ra-va is the word from the rural areas. No ways, the urbanite would know it. In areas where groundnut, chana, wheat is yielded, some of the pods, corns or ears remain back in the field, as in case of groundnut, they remain underground. Picking up those leftovers means sa-ra-va. Those who know the importance of foodgrains are the people who go for sa-ra-va to pick up those leftovers. An author yields dramas, novels, short stories and so on. Once these forms are out of his mind, many a things linger in his mind in the form of sa-ra-va. I always say that an author should show some perseverance in catching those leftovers. Whatever is gathered in this process will surely be a mixture of nuts, soil, stones and at times empty shells. But then that is what the sa-ra-va is!
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Publisher
MEHTA PUBLISHING HOUSE
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Published on
Aug 1, 2013
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Pages
140
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ISBN
9788184983685
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Language
Marathi
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Genres
Fiction / General
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Content Protection
This content is DRM protected.
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स्वातंत्र्योत्तर मराठी साहित्यात जे अक्षर-ग्रंथ निर्माण झाले त्यात ’माणदेशी माणसं’चा समावेश होतो,या व्यक्तिचित्रांत जुन्या कथेतील गोष्ट तर आहेच पण जीवनाच्या अस्सल गाभ्यालाच स्पर्श करणारी नवलकथेची किमयादेखील आहे.अंधारातून पहाट व्हावी, कळीचे फूल व्हावे इतक्या सहजतेने रेखाटलेली ही चित्रे अस्सल मराठी आहेत. दरिद्री माणदेशातील, सामान्य जीवनातील न संपणारं दु:ख निरागसपणे व्यंकटेश माडगूळकर सांगतात. हे दु:ख पाहिलं की मन भांबावतं. माणसं सुखासाठी धडपडतात, पण त्यासाठी ती जन्माला आलेली नसतात असा उदार विचार मनात येतो. जीवनातील हे कारुण्य माडगूळकरांनी कलावंताच्या अलिप्ततेने टिपले आहे त्यामुळं त्यांची ही माणसं आपल्याला विसरता येत नाहीत. त्यांची आठवण झाली की ती मनाला अस्वस्थ करून टाकतात...

Manadeshi Manase' is an inseparable part of postIndependence Marathi literature. The character sketches in this collection are not only tales in the old mould, but also have the magical quality that touches upon the very essence of Life. The characters are genuinely Marathi in nature, and they have been drawn with the ease with which dawn turns into day or a bud blossoms into a flower. With innocence, Vyankatesh Madgulkar tells us about the povertystricken lives of the people of Mandesh and their saga of neverending sorrows. Their tragedy is moving. The mind is filled with the thought that while men seek some happiness, their lives were never scripted to find it. This essential tragic fact is told by Madgulkar with the detachment of an artist. This renders his characters unforgettable. Our mind is disturbed every time we think of them.

 ‘बाजिंद’ ही एक ऐतिहासिक रहस्यकथा आहे. धनगरवाडीचा कारभारी सखाराम आपल्या तीन सहकाऱ्यांसह एक फिर्याद घेऊन शिवाजी महाराजांकडे रायगडावर जायला निघतो. रस्त्यात गुप्तहेर बहिर्जी नाईकांचा चेला असलेल्या खंडोजीशी नाट्यमयरीत्या झालेली त्यांची भेट, या चौघांना रायगडावर प्रवेश मिळवून द्यायचं त्यानं दिलेलं आश्वासन, खंडोजी आणि सावित्रीची प्रेमकथा, शिर्के – बेरड वैर, बहिर्जी नाईकांनी शिर्क्यांवर केलेला हल्ला, तसेच बाजी आणि मुघल सरदार हुसेनखानची कथा, बाजीला अवगत असलेली पशू-पक्ष्यांची भाषा, मृत्युसमयी त्याने आपल्या वंशजाला ‘बाजिंद’ला त्या भाषेचा दिलेला वारसा, इ. थरारक, धक्कादायक आणि नाट्यमय घटनांनी, वळणांनी ही कादंबरी पुढे सरकत राहते. नाट्यमय वळणं घेत, रहस्यमयतेने शेवटपर्यंत वाचकांची उत्कंठा ताणून धरणारी ही कादंबरी बहिर्जी नाईकांच्या बुद्धिचातुर्याची साक्ष देते आणि शिवरायांचं स्वराज्य हे सुराज्यही होतं, याचंही दर्शन घडवते. युद्धाचा थरार, भावनांची गुंतागुंत आणि प्रखर राष्ट्रप्रेम याचं अद्भुत रसायन म्हणजे ‘बाजिंद’ ही कादंबरी

 

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