The House Girl, the historical fiction debut by Tara Conklin, is an unforgettable story of love, history, and a search for justice, set in modern-day New York and 1852 Virginia.
Two remarkable women, separated by more than a century, whose lives unexpectedly intertwine . . .
2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves.
1852: Josephine is a seventeen-year-old house slave who tends to the mistress of a Virginia tobacco farm—an aspiring artist named Lu Anne Bell.
It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine.
A descendant of Josephine's would be the perfect face for the lawsuit—if Lina can find one. But nothing is known about Josephine's fate following Lu Anne Bell's death in 1852. In piecing together Josephine's story, Lina embarks on a journey that will lead her to question her own life, including the full story of her mother's mysterious death twenty years before.
Alternating between antebellum Virginia and modern-day New York, this searing tale of art and history, love and secrets explores what it means to repair a wrong, and asks whether truth can be more important than justice. Featuring two remarkable, unforgettable heroines, Tara Conklin's The House Girl is riveting and powerful, literary fiction at its very best.
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“A richly observed novel, both ambitious and welcoming.” -- Meg Wolitzer
An Instant New York Times Bestseller
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A sweeping yet intimate epic about one American family, The Last Romantics is an unforgettable exploration of the ties that bind us together, the responsibilities we embrace and the duties we resent, and how we can lose—and sometimes rescue—the ones we love.
When the renowned poet Fiona Skinner is asked about the inspiration behind her iconic work, The Love Poem, she tells her audience a story about her family and a betrayal that reverberates through time.
It begins in a big yellow house with a funeral, an iron poker, and a brief variation forever known as the Pause: a free and feral summer in a middle-class Connecticut town. Caught between the predictable life they once led and an uncertain future that stretches before them, the Skinner siblings—fierce Renee, sensitive Caroline, golden boy Joe and watchful Fiona—emerge from the Pause staunchly loyal and deeply connected. Two decades later, the siblings find themselves once again confronted with a family crisis that tests the strength of these bonds and forces them to question the life choices they’ve made and ask what, exactly, they will do for love.
A novel that pierces the heart and lingers in the mind, The Last Romantics is also a beautiful meditation on the power of stories—how they navigate us through difficult times, help us understand the past, and point the way toward our future.