Beginnings, Middles, & Ends: Sideways Stories on the Art & Soul of Social Work

White Hat Communications
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A sideways story is some moment in life when you thought you were doing
one thing, but you ended up learning another. A sideways story can also
be a poem, or prose, that, because of the way it is written, may not be
all that direct in its meaning. What’s nice about both clouds, and art,
is that you can look at them and just resonate. That can be good for
both the heart and the mind.


Many of the moments of this book
have grown from experiences the author has had or stories he used in
his lectures with students or told in his office with clients. Some of
them have grown from essays written for others, for personal or
professional reasons. They are moments on a path through the discovery
of social work, a journey of beginnings, middles, and ends.


With
just the right blend of humor and candor, each of these stories
contains nuggets of wisdom that you will not find in a traditional
textbook. They capture the essence and the art and soul of social work.
In a world rushed with the illusion of technique and rank empiricism, it
is the author’s hope that some of the things here might make some
moment in your thinking or feeling grow as a social worker. If they
provoke a smile, or a tear, or a critical question, it’s worth it.
Everyone makes a different journey in a life of social work. These
stories are one social worker’s travelogue along the way.

 

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About the author

Ogden W. Rogers, Ph.D., LCSW, ACSW, is Professor and Chair of the Department of Social Work at The University of Wisconsin-River Falls. He has been a clinician, consultant, educator, and storyteller. Dr. Rogers began his social work career in community and adult psychiatry in both inpatient and outpatient settings. He s worked in emergency and critical-care medicine, disaster mental health, and mental health program delivery and evaluation in both public and private auspices. In more recent years, he s been actively involved with the American Red Cross International Services Division concerning human rights in armed conflict. When asked about how he got involved with making a career in social work, he smiled and said, "That reminds me of a story...." 

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Additional Information

Publisher
White Hat Communications
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Published on
Oct 15, 2013
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Pages
252
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ISBN
9781929109357
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Best For
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Language
English
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Genres
Literary Collections / Essays
Social Science / Essays
Social Science / Social Work
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Content Protection
This content is DRM protected.
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Advanced Clinical Social Work Practice traces the development of relational ideas from their origin in object relations and self psychology to their evolution in current relational, intersubjectivity, and attachment theory. Relational treatment emphasizes openness and collaboration between client and therapist, mutual impact, the client's subjectivity, and the therapist's empathy, genuineness, and use of the self in therapeutic interaction. The approach treats the relationship and dialogue between client and therapist as crucial to the change process and shows how the therapeutic relationship can be used to help clients and therapists bridge differences, examine similarities, overcome impasses, and manage enactments.

The relational emphasis on the subjective experience of both client and therapist is beautifully illustrated throughout this book as the authors draw from their clinical work with clients from diverse backgrounds, including gay and lesbian clients, immigrants, and clients of color. They demonstrate how relational principles and techniques can be applied to multiple problems in social work practice for example, life crises and transitions, physical and sexual abuse, mental disorders, drug addiction, and the loss of a loved one. The authors also discuss the integration of relational constructs in short-term treatment and with families and groups.

This volume opens with a historical perspective on the role of relational thinking in social work and the evolution of relational theory. It presents an overview of the key concepts in relational theory and its application throughout the treatment process with diverse clients and in different practice modalities. The book concludes with a discussion of the challenges in learning and teaching new theoretical and practice paradigms, particularly in creating a more mutual exchange in the classroom and during supervision.

NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire
 
“A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino could be the Joan Didion of our time.”—Vulture

Jia Tolentino is a peerless voice of her generation, tackling the conflicts, contradictions, and sea changes that define us and our time. Now, in this dazzling collection of nine entirely original essays, written with a rare combination of give and sharpness, wit and fearlessness, she delves into the forces that warp our vision, demonstrating an unparalleled stylistic potency and critical dexterity.

Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly through a culture that revolves around the self. In each essay, Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die. Gleaming with Tolentino’s sense of humor and capacity to elucidate the impossibly complex in an instant, and marked by her desire to treat the reader with profound honesty, Trick Mirror is an instant classic of the worst decade yet.

Praise for Trick Mirror

“Jia Tolentino is the best young essayist at work in the United States, one I’ve consistently admired and learned from, and I was exhilarated to get a whole lot of her at once in Trick Mirror. In these nine essays, she rethinks troubling ingredients of modern life, from the internet to mind-altering drugs to wedding culture. All through the book, single sentences flash like lightning to show something familiar in a startling way, but she also builds extended arguments with her usual, unusual blend of lyricism and skepticism. In the end, we have a picture of America that was as missing as it was needed.”—Rebecca Solnit, author of Men Explain Things to Me
In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.

She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!”

This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf ’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women.

Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

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