An American Marriage (Oprah's Book Club): A Novel

Algonquin Books
139
Free sample

A NEW YORK TIMES AND WASHINGTON POST NOTABLE BOOK

A 2018 BEST OF THE YEAR SELECTION OF NPR  * TIME  * BUSTLE  * O, THE OPRAH MAGAZINE  * THE DALLAS MORNING NEWS  * AMAZON.COM

OPRAH’S BOOK CLUB 2018 SELECTION

LONGLISTED FOR THE 2018 NATIONAL BOOK AWARD FOR FICTION


“A moving portrayal of the effects of a wrongful conviction on a young African-American couple.” —Barack Obama

“Haunting . . . Beautifully written.” —The New York Times Book Review
 
“Brilliant and heartbreaking . . . Unforgettable.” —USA Today
 
“A tense and timely love story . . . Packed with brave questions about race and class.” —People
 
“Compelling.” —The Washington Post
 
“Epic . . . Transcendent . . . Triumphant.” —Elle


Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.
 
This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.
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About the author

Tayari Jones is the author of four novels, including Silver SparrowThe Untelling, and Leaving Atlanta. Jones holds degrees from Spelman College, Arizona State University, and the University of Iowa. A winner of numerous literary awards, she is a professor of creative writing at Emory University. Visit her website at www.tayarijones.com.

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4.3
139 total
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Additional Information

Publisher
Algonquin Books
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Published on
Feb 6, 2018
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Pages
336
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ISBN
9781616207601
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Language
English
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Genres
Fiction / African American / General
Fiction / Literary
Fiction / Women
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Content Protection
This content is DRM protected.
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Eligible for Family Library

Reading information

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A National Book Foundation 5 Under 35 Honoree
NBCC John Leonard First Book Prize Finalist
Aspen Words Literary Prize Finalist
California Book Award First Fiction Finalist
Hurston/Wright Legacy Award Debut Novel Nominee
Longlisted for the Andrew Carnegie Medal for Excellence in Fiction & the Brooklyn Public Library Literary Prize
Named a Best Book of the Year by Vogue, NPR, Elle, Esquire, Buzzfeed, San Francisco Chronicle, Cosmopolitan, The Huffington Post, The A.V. Club, The Root, Harper’s Bazaar, Paste, Bustle, Kirkus Reviews, Electric Literature, LitHub, New York Post, Los Angeles Review of Books, and Bust

“The debut novel of the year.” —Vogue

“Like so many stories of the black diaspora, What We Lose is an examination of haunting.” —Doreen St. Félix, The New Yorker

“A richly volatile study of grief, wonderment and love.” —Sam Sacks, The Wall Street Journal

“A startling, poignant debut.” —The Atlantic

“Raw and ravishing, this novel pulses with vulnerability and shimmering anger.” —Nicole Dennis-Benn, O, the Oprah Magazine

“Stunning. . . . Powerfully moving and beautifully wrought, What We Lose reflects on family, love, loss, race, womanhood, and the places we feel home.” —Buzzfeed

“Remember this name: Zinzi Clemmons. Long may she thrill us with exquisite works like What We Lose. . . . The book is a remarkable journey.” —Essence

From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age—a deeply felt meditation on race, sex, family, and country

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love.

In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

One of the New York Times, Huffington Post, Buzzfeed, Cosmopolitan, Glamour, Redbook, Marie Claire, Essence, Houston Chronicle, LA Daily News, Nylon, and Elle’s Books to Read This Summer
Winner of the Man Booker Prize

Winner of the National Book Critics Circle Award in Fiction

Winner of the John Dos Passos Prize for Literature

New York Times Bestseller

Los Angeles Times Bestseller

Named One of the 10 Best Books of the Year by The New York Times Book Review

Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly

Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

She’s blossomed from a wealthy surgeon’s beautiful daughter to elegant socialite to being the top fashion stylist in the country. And Nora Mackenzie is only days away from marrying into one of New York’s richest, most powerful families. But her fairy tale rise is rooted in an incredible deception—one scandal away from turning her perfect world to ashes . . .
 
What no one knows is that Nora is the biracial daughter of a Caribbean woman and a long-gone white father. Adopted—and abused—by her mother’s employer, then sent to an exclusive boarding school to buy her silence, Nora found that “passing” as a white woman could give her everything she never had.
 
Now, an ex-classmate who Nora betrayed many years ago has returned to her life to even the score. Her machinations are turning Nora’s privilege into one gilded trap after another. Running out of choices, Nora must decide how far she will go to protect a lie or give up and finally face the truth. Praise for Have You Met Nora?
 
“Nora is tender, courageous, and beautifully flawed.”
—Rosalind Noonan, New York Times bestselling author
 
“A winding story full of secrets, betrayal, revenge, and love.” 
—Rena Olsen, author of The Girl Before
 
“Blades has created a heroine both honorable and deceptive, both vulnerable and powerful, a heroine whose choices are at times shocking but arguably necessary.”
 —Holly Chamberlin, author of The Season of Us

“This is a deft and searing commentary on identity and race.” —Taylor Jenkins Reid, author of The Seven Husbands of Evelyn Hugo
Named to Buzzfeed's list of "5 Most Anticipated Women's Fiction Reads of 2018"

"Mrs. could be the next Big Little Lies."--EW

"Macy skewers power parents in this entertaining, sharp-eyed portrayal of privilege and it's price" -People Magazine


In the well-heeled milieu of New York's Upper East Side, coolly elegant Philippa Lye is the woman no one can stop talking about. Despite a shadowy past, Philippa has somehow married the scion of the last family-held investment bank in the city. And although her wealth and connections put her in the center of this world, she refuses to conform to its gossip-fueled culture.

Then, into her precariously balanced life, come two women: Gwen Hogan, a childhood acquaintance who uncovers an explosive secret about Philippa's single days, and Minnie Curtis, a newcomer whose vast fortune and frank revelations about a penurious upbringing in Spanish Harlem put everyone on alert.

When Gwen's husband, a heavy-drinking, obsessive prosecutor in the US Attorney's Office, stumbles over the connection between Philippa's past and the criminal investigation he is pursuing at all costs, this insulated society is forced to confront the rot at its core and the price it has paid to survive into the new millennium.

Macy has written a modern-day HOUSE OF MIRTH, not for the age of railroads and steel but of hedge funds and overnight fortunes, of scorched-earth successes and abiding moral failures. A brilliant portrait of love, betrayal, fate and chance, MRS marries razor-sharp social critique and page-turning propulsion into an unforgettable tapestry of the way we live in the 21st Century.
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