Elizabeth Clark-Stern is a psychotherapist, screenwriter, actor, and playwright. Her produced teleplays include All I Could See From Where I Stood, Help Wanted, and the documentary Home From the Eastern Sea. In 2007 her play, Out of the Shadows: A Story of Toni Wolff and Emma Jung, was performed at the International Jungian Congress in Cape Town. In 2013, On the Doorstep of the Castle: The Story of Teresa of Avila and Alma de Leon was performed at the Copenhagen Jungian Congress. Her play Timeless Night: Viktor Frankl Meets Edith Stein premiered in Seattle in 2014. Elizabeth has also revived her first career in the arts, acting in the roles of Toni Wolff, Teresa of Avila, Edith Stein, and the Crone Camille Claudel.
Lindsey Rosen is a psychotherapist, dance/movement therapist, performance artist, yoga teacher, writer and mother. She acted, danced and choreographed the role of Alma in Elizabeth Clark-Stern’s play On the Doorstep of the Castle, presented at the International Association of Analytical Psychology Congress in Copenhagen in 2013. She has co-written/directed and choreographed The Movement of the Moon- Camille Claudel: Life Phases of the Feminine in Art, Madness, and Love, acting and dancing the role of adult Camille Claudel alongside her daughter in the role of Maiden Camille. She has a private practice in Seattle, pursues training in sandplay therapy and leads workshops for Mothers and Adolescent Daughters integrating the body, myth and feminine psychology.
Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel.
The Penelopiad premiered with the Royal Shakespeare Company in association with Canada's National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in July 2007.
During the ten years that Stuart Spencer has taught playwriting, he has struggled to find an effective playwriting handbook for his courses. Although most of the currently popular handbooks have good ideas in them, they all suffer from the same problems: they're poorly organized; are composed mostly of quirky, idiosyncratic advice on how specific playwrights have gone about writing their own work; and are full of abstract theorizing on the nature of art. As a result, they fail to offer any concrete information on how to construct a well-written play or any useful guidelines and exercises. Moreover, few of these books are actually written by working playwrights. Out of frustration, Spencer wrote his own book. The result, The Playwright's Guidebook, is a clear, concise, and engaging handbook. Spencer addresses the important principles of structure, includes insightful writing exercises that build upon one another, explores the creative process, and troubleshoots recurrent problems that playwrights actually face.
Soul Stories explores two worlds: the world we know with our feelings and senses--sight, scent, touch, belonging, joy, loss, renewal--and the parallel world of dreams, intuition, imagination, and the dimension of the unknown. Together these realms inform, shape, challenge, and nurture the soul.
Safari to Mara finds our heroine on the brink of womanhood in Masai society. The only daughter in a sonless family, she is drafted to do work in the modern world, yet tradition calls her to prepare for initiation as a wife. In the wilderness of her namesake, Kenya’s Masai Mara, she finds an improbable guide who leads her into the mysterious recesses of her awakening heart.
Aria of the Horned Toad begins with the dream of a horned toad crawling out of Beatrice’s eyes,“so real I could feel his prickly little feet on my nose.” And so begins an odyssey to the source of all dreaming. Beatrice believes that in this dark and luminous place, she can find someone to fashion a dream to fix her Mama’s terrible ways, and soothe the longing in her own wild spirit.