Slim Girl was raised in an American Indian school, a type of boarding school designed by missionaries to “civilize” the native population. Her experiences there left her deeply resentful, and this bitterness carries on in her approach to the world: where Laughing Boy is optimistic, respectful of tradition, and comfortable with himself, Slim Girl is calculating, tough, and secretive. The two quickly fall in love, but Laughing Boy’s family warns against the union—it seems that Slim Girl has a reputation that precedes her. Despite the warning, the two begin a life together in a way that blends the traditional with the new American, before a dark secret in Slim Girl’s past threatens their happiness.
The story is, on its face, a love story, but La Farge uses the framework of a romance to explore much deeper questions of tradition, native versus Western lifestyles, and how the inexorable expansion of Americans into the West changed things for the civilizations living there.
La Farge was not just a novelist—he was also an anthropologist who spent much of his career studying Native Americans, the Navajo in particular. His deep knowledge of their culture, practices, and language allows him to create a convincing air of authenticity in the narrative, which went on to earn the Pulitzer Prize for Fiction in 1930.
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