My life had a nice rhythm, and I'd almost gotten used to it, but the military bungled an attempt to wipe out an organized bunch of undead near a major commuting route into DC. The formerly-human survivors relocated. Now they’re less than an hour’s stroll away from where I live. The new Zombie Overlord is smarter, crazier, and much more well-equipped than anyone we'd dealt with in the past. We have something he wants, badly. I know he's going to come and get it and try and wipe us out in the process... men, women, and even the children. I'd seen it done before elsewhere for lesser reasons.
This is my home. These are my people, my family. This is personal.
Zombie, Horror, Post-apocalyptic, Action, Dystopian, Series, Science Fiction
You have again stumbled upon a ticket with service through the apocalyptic wastes, but this time the train is a little bit older, a little more beat up, and maybe a little wiser. Keep your doors locked.
Buildings are more like us than we realize. They can be born into wealth or poverty, enjoying every privilege or struggling to make ends meet. They have parents—gods, kings and emperors, governments, visionaries and madmen—as well as friends and enemies. They have duties and responsibilities. They can endure crises of faith and purpose. They can succeed or fail. They can live. And, sooner or later, they die.
In Fallen Glory, James Crawford uncovers the biographies of some of the world’s most fascinating lost and ruined buildings, from the dawn of civilization to the cyber era. The lives of these iconic structures are packed with drama and intrigue. Soap operas on the grandest scale, they feature war and religion, politics and art, love and betrayal, catastrophe and hope. Frequently their afterlives have been no less dramatic—their memories used and abused down the millennia for purposes both sacred and profane. They provide the stage for a startling array of characters, including Gilgamesh, the Cretan Minotaur, Agamemnon, Nefertiti, Genghis Khan, Henry VIII, Catherine the Great, Adolf Hitler, and even Bruce Springsteen.
The twenty-one structures Crawford focuses on include The Tower of Babel, The Temple of Jerusalem, The Library of Alexandria, The Bastille, Kowloon Walled City, the Berlin Wall, and the Twin Towers of the World Trade Center. Ranging from the deserts of Iraq, the banks of the Nile and the cloud forests of Peru, to the great cities of Jerusalem, Istanbul, Paris, Rome, London and New York, Fallen Glory is a unique guide to a world of vanished architecture. And, by picking through the fragments of our past, it asks what history’s scattered ruins can tell us about our own future.
Twelve of Scotland’s most famous crime authors evoke the sinister side of the country’s architecture in stories that are by turns calculating, chilling, and redemptive.
Scotland has often been depicted as a land of haunting, misty moors and literary genius. But Scotland has also been a place of brutal crime, terrifying murder, child abuse, and bank robbery. Crime can strike anywhere. From the southern border to the Northern Isles, suspicion and suspense are never far away. Edinburgh, with its reputation for civility and elegance, has often been the scene of savagery; the dark streets of industrial Glasgow and Dundee have protected thieves and muggers, while the villages of coast and countryside hide murderous men and wild women.
Stellar contributors to Bloody Scotland include Val McDermid, Christopher Brookmyre, Denise Mina, Peter May, Ann Cleeves, Louise Welsh, Lin Anderson, Doug Johnstone, Craig Robertson, E. S. Thomson, Sara Sheridan and Stuart MacBride explore the thrilling potential of Scotland’s iconic sites and structures. From murder in a Hebridean blackhouse and a macabre tale of revenge among the furious clamour of an eighteenth century mill, to a dark psychological thriller set within the tourist throng of Edinburgh Castle and an ‘urbex’ rivalry turning fatal in the concrete galleries of an abandoned modernist ruin, this collection uncovers the intimate—and deadly—connections between people and places.
Prepare for a dangerous journey into the dark shadows of our nation’s architecture—where passion, fury, desire, and death collide.