Adventures in Phenomenology: Gaston Bachelard

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 Repositions Bachelard as a critical and integral part of contemporary continental philosophy.
Like Schelling before him and Deleuze and Guattari after him, Gaston Bachelard made major philosophical contributions to the advancement of science and the arts. In addition to being a mathematician and epistemologist whose influential work in the philosophy of science is still being absorbed, Bachelard was also one of the most innovative thinkers on poetic creativity and its ethical implications. His approaches to literature and the arts by way of elemental reverie awakened long-buried modes of thinking that have inspired literary critics, depth psychologists, poets, and artists alike. Bachelard’s extraordinary body of work, unduly neglected by the English-language reception of continental philosophy in recent decades, exhibits a capacity to speak to the full complexity and wider reaches of human thinking. The essays in this volume analyze Bachelard as a phenomenological thinker and situate his thought within the Western tradition. Considering his work alongside that of Schelling, Husserl, Bergson, Buber, Heidegger, Merleau-Ponty, Gadamer, Deleuze, and Nancy, this collection highlights some of Bachelard’s most provocative proposals on questions of ontology, hermeneutics, ethics, environmental politics, spirituality, and the possibilities they offer for productive transformations of self and world.
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About the author

Eileen Rizo-Patron is Research Associate at the Center for Philosophy, Interpretation, and Culture at Binghamton University, State University of New York. She is the coeditor (with Richard Kearney) of Traversing the Heart: Journeys of the Inter-religious Imagination and the translator of Bachelard’s Intuition of the Instant. Edward S. Casey is Distinguished Professor of Philosophy at Stony Brook University, State University of New York. He is the author of many books, including The Fate of Place: A Philosophical History. Jason M. Wirth is Professor of Philosophy at Seattle University. His books include Schelling’s Practice of the Wild: Time, Art, Imagination, also published by SUNY Press.

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Additional Information

Publisher
SUNY Press
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Published on
Jul 31, 2017
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Pages
338
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ISBN
9781438466071
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Language
English
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Genres
Philosophy / General
Philosophy / History & Surveys / General
Philosophy / Movements / Phenomenology
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This content is DRM protected.
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Eligible for Family Library

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Edward S. Casey
Remembering
A Phenomenological Study
Second Edition
Edward S. Casey

A pioneering investigation of the multiple ways of remembering and the difference that memory makes in our daily lives.

A Choice Outstanding Academic Book

An excellent book that provides an in-depth phenomenological and philosophical study of memory." —Choice

... a stunning revelation of the pervasiveness of memory in our lives." —Contemporary Psychology

[Remembering] presents a study of remembering that is fondly attentive to its rich diversity, its intricacy of structure and detail, and its wide-ranging efficacy in our everyday, life-world experience.... genuinely pioneering, it ranges far beyond what established traditions in philosophy and psychology have generally taken the functions and especially the limits of memory to be." —The Humanistic Psychologist

Edward S. Casey provides a thorough description of the varieties of human memory, including recognizing and reminding, reminiscing and commemorating, body memory and place memory. The preface to the new edition extends the scope of the original text to include issues of collective memory, forgetting, and traumatic memory, and aligns this book with Casey’s newest work on place and space. This ambitious study demonstrates that nothing in our lives is unaffected by remembering.

Studies in Continental Thought—John Sallis, general editor

Contents
Preface to the Second Edition
Introduction Remembering Forgotten: The Amnesia of Anamnesis
Part One: Keeping Memory in Mind
First Forays
Eidetic Features
Remembering as Intentional: Act Phase
Remembering as Intentional: Object Phase
Part Two: Mnemonic Modes
Prologue
Reminding
Reminiscing
Recognizing
Coda
Part Three: Pursuing Memory beyond Mind
Prologue
Body Memory
Place Memory
Commemoration
Coda
Part Four: Remembering Re-membered
The Thick Autonomy of Memory
Freedom in Remembering

Edward S. Casey
Dutch world maps of the sixteenth and seventeenth centuries, with their decorative pictures and elaborate typography, stand in sharp contrast to the wholly practical maps of today, which emphasize precise detail and consistent scale. Art, since the Impressionist period, has seemingly moved in the opposite direction, toward a less realistic interpretation of the world around us. Edward S. Casey demonstrates that the disciplines of mapping and painting, long thought to have diverged, are again intersecting. Earth-Mapping describes the ways in which artists of the last half century have incorporated ingenious mapping techniques into their art works. Beginning with a reassessment of the pioneering earth art of Robert Smithson in the 1960s and 1970s, Casey follows Smithson's legacy in the works of Sandy Gellis, Margot McLean, and Michelle Stuart. He also explores the visions of the earth found in the abstract paintings of Richard Diebenkorn, Jasper Johns, Willem de Kooning, Eve Ingalls, and Dan Rice. Focusing on forms of mapping that depart radically from conventional cartography - particularly "mapping with/in," being with or in a place, and "mapping out," communicating that experience of connection with others - Casey shows how earth art and abstract painting respectively reshape our landscape and our view of it, drawing us in from our bird's-eye view of the grid of highways and roads. In these works, we come to see the earth as it is sensed, remembered, and reshaped by artists as they explore the effect of the landscape on humans and the human effect on the landscape, and as they demand a response to the changing world around us.
Edward S. Casey
As increasing global economic disparities, violence, and climate change provoke a rising tide of forced migration, many countries and local communities are responding by building walls—literal and metaphorical—between citizens and newcomers. Up Against the Wall: Re-imagining the U.S.-Mexico Border examines the temptation to construct such walls through a penetrating analysis of the U.S. wall at the U.S.-Mexico border, as well as investigating the walling out of Mexicans in local communities. Calling into question the building of a wall against a friendly neighboring nation, Up Against the Wall offers an analysis of the differences between borders and boundaries. This analysis opens the way to envisioning alternatives to the stark and policed divisions that are imposed by walls of all kinds. Tracing the consequences of imperialism and colonization as citizens grapple with new migrant neighbors, the book paints compelling examples from key locales affected by the wall—Nogales, Arizona vs. Nogales, Sonora; Tijuana/San Diego; and the lower Rio Grande Valley of Texas. An extended case study of Santa Barbara describes the creation of an internal colony in the aftermath of the U.S. conquest of Mexican land, a history that is relevant to many U.S. cities and towns.

Ranging from human rights issues in the wake of massive global migration to the role of national restorative shame in the United States for the treatment of Mexicans since 1848, the authors delve into the broad repercussions of the unjust and often tragic consequences of excluding others through walled structures along with the withholding of citizenship and full societal inclusion. Through the lens of a detailed examination of forced migration from Mexico to the United States, this transdisciplinary text, drawing on philosophy, psychology, and political theory, opens up multiple insights into how nations and communities can coexist with more justice and more compassion.

Jason M. Wirth
 Engages the global ecological crisis through a radical rethinking of what it means to inhabit the earth.
Meditating on the work of American poet and environmental activist Gary Snyder and thirteenth-century Japanese Zen Master Eihei Dōgen, Jason M. Wirth draws out insights for understanding our relation to the planet’s ongoing ecological crisis. He discusses what Dōgen calls “the Great Earth” and what Snyder calls “the Wild” as being comprised of the play of waters and mountains, emptiness and form, and then considers how these ideas can illuminate the spiritual and ethical dimensions of place. The book culminates in a discussion of earth democracy, a place-based sense of communion where all beings are interconnected and all beings matter. This radical rethinking of what it means to inhabit the earth will inspire lovers of Snyder’s poetry, Zen practitioners, environmental philosophers, and anyone concerned about the global ecological crisis.

“There are numerous books that discuss Snyder’s ecological view and, to a lesser extent, his relation to Dōgen. There are also many books on Buddhism and ecology. But this book is unique in its focus and format and its authorial voice. It’s a distinctive, ambitious, and timely work.” — David Landis Barnhill, translator of Bashō’s Journey: The Literary Prose of Matsuo Bashō

“This is a very interesting book on, arguably, the most crucial topic that we are facing today. It makes us realize how deep we are in the ecological crisis, and that this crisis is not merely a crisis outside of us, but lies first and foremost deeply in ourselves. An incredibly timely and important book—I could not stop reading it and thinking about it.” — Gerard Kuperus, author of Ecopolitical Homelessness: Defining Place in an Unsettled World
David Jones
The Continental tradition has always placed great emphasis on the Logos. The Gift of Logos: Essays in Continental Philosophy celebrates and situates this emphasis in the genre of the gift and its giving. The process of receiving, or giving, of the gift overcomes the existential alienation and separation that is so present in the human condition. To ritualize giving and its gifting is to provide a syntax of solidarity that bespeaks our desire for cohesion and need for identities beyond our own. To give a gift is to befriend. The gift of logos is more than a gift from the gods and goddesses; it is an act of giving for those friends of wisdom—for those philosophers who give to each other and to their worlds and receive the blessings of logos from each other. The increasing objectification of human being has mobilized a regressive narcissism that shows the ego’s reassertion in the light of the meaningless quantifying forces from without. By not reflecting deeply enough upon its conditions of existence in the modern world and on its orginary moments, philosophy itself has not been immune from this besotted sense of self. Although not an invective against thinking nor against modern and contemporary philosophy’s genuine advances, The Gift of Logos portends to shed the delusion that theoretical re-description is somehow the same as transforming who we are. This transformation is our greatest gift to each other. To give it voice is the gift of Logos and what this collection of essays commemorates.

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