Marie Conway Oemler (1879–1932) was an American author hailing from Savannah, Georgia, known for her captivating Southern Gothic style, which deftly entwined region-specific sensibilities with the universal intricacies of the human experience. Her novel 'A Woman Named Smith' (1919) stands out as a prime example of her literary prowess, showcasing her nuanced understanding of the South's cultural landscape. Oemler's narrative delivery is marked by its wry wit and a certain lyrical quality, which, when combined with her astute characterizations, presents readers with a rich tapestry of early 20th-century Southern life. Although not as broadly recognized as some of her contemporaries, Oemler's work provides valuable insight into the societal norms and personal struggles of her era. In 'A Woman Named Smith,' she addresses themes of independence, identity, and the challenges women faced, wrapped in a story that is as much about self-discovery as it is about the entrapments of tradition. Oemler's storytelling remains significant, as it reflects the shifting sensibilities of a region caught between the vestiges of a war-torn past and the onrush of modernity. Her contribution to American literature is further enhanced by her vivid depiction of the spiritual and atmospheric elements of the South, lending her work an enduring quality that continues to engage readers and scholars alike.