Candy and her companions must solve the mystery of her past before the forces of Night and Day clash and Absolute Midnight descends upon the islands.
A final war is about to begin. . . .
Candy Quackenbush, her allies, and her enemies are back in Abarat: Absolute Midnight, the third book in Clive Barker's New York Times bestselling Abarat series.
"The waiting is over. Tomorrow there will be no dawn. Only midnight, absolute and eternal." Mater Motley, the Old Mother of Darkness herself—following the events of Abarat and Abarat: Days of Magic, Nights of War—has crafted a scheme that may destroy the Abarat, a vast archipelago where every hour is an island in one eternal day.
When Candy discovers Mater Motley's secret plot, she realizes that only she can bring an end to the destruction. Only she can stop the complete darkness threatening to abolish all hope and happiness from the Abarat.
Imajica is an epic beyond compare: vast in conception, obsessively detailed in execution, and apocalyptic in its resolution. At its heart lies the sensualist and master art forger, Gentle, whose life unravels when he encounters Judith Odell, whose power to influence the destinies of men is vaster than she knows, and Pie 'oh' pah, an alien assassin who comes from a hidden dimension.
That dimension is one of five in the great system called Imajica. They are worlds that are utterly unlike our own, but are ruled, peopled, and haunted by species whose lives are intricately connected with ours. As Gentle, Judith, and Pie 'oh' pah travel the Imajica, they uncover a trail of crimes and intimate betrayals, leading them to a revelation so startling that it changes reality forever.
The last of the caretakers has just died.
Vying for possession of the rug is a spectrum of unforgettable characters: Suzanna, granddaughter of the last caretaker, who feels the pull of the Weaveworld long before she knows the extent of her own powers; Calhoun Mooney, a pigeon-raising clerk who finds the world he's always dreamed of in a fleeting glimpse of the rug; Immacolata, an exiled Seerkind witch intent on destroying her race even if it means calling back the Scourge; and her sidekick, Shadwell, the Salesman, who will sell the Weaveworld to the highest bidder.
In the course of the novel the rug is unwoven, and we travel deep into the glorious raptures of the Weaveworld before we witness the final, cataclysmic struggle for its possession.
Barker takes us to places where we have seldom been in fiction--places terrifying and miraculous, humorous, and profound. With keen psychological insight and prodigious invention, his trademark graphic vision balanced by a spirit of transcendent promise, Barker explores the darkness and the light, the magical and the monstrous, and celebrates the triumph of the imagination.
Mr Hood’s Holiday House has stood for a thousand years, welcoming countless children into its embrace. It is a place of miracles, a blissful round of treats and seasons, where every childish whim may be satisfied.
There is a price to be paid, of course, but young Harvey Swick, bored with his life and beguiled by Mr Hood’s wonders, does not stop to discover the consequences. It is only when the House shows its darker face – when Harvey discovers the pitiful creatures that dwell in its shadow – that he comes to doubt Mr Hood’s philanthropy.
The house and its mysterious architect are not about to release their captive without a battle, however. Mr Hood has ambitions for his new guest, for Harvey’s soul burns brighter than any soul he has encountered for a thousand years...
You have been warned.