George Saunders

George Saunders is an American writer of short stories, essays, novellas and children's books. His writing has appeared in The New Yorker, Harper's, McSweeney's and GQ. He also contributed a weekly column, American Psyche, to the weekend magazine of The Guardian until October 2008.
A professor at Syracuse University, Saunders won the National Magazine Award for fiction in 1994, 1996, 2000, and 2004, and second prize in the O. Henry Awards in 1997. His first story collection, CivilWarLand in Bad Decline, was a finalist for the 1996 PEN/Hemingway Award. In 2006 Saunders received a MacArthur Fellowship. In 2006 he won the World Fantasy Award for his short story "CommComm". His story collection In Persuasion Nation was a finalist for The Story Prize in 2007. In 2013, he won the PEN/Malamud Award and was a finalist for the National Book Award. Saunders's Tenth of December: Stories won the 2013 Story Prize for short-story collections and the inaugural Folio Prize.
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#1 NEW YORK TIMES BESTSELLER • WINNER OF THE MAN BOOKER PRIZE

The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented

Named One of Paste’s Best Novels of the Decade • Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • A New York Times Notable Book • One of O: The Oprah Magazine’s Best Books of the Year

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.

From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.

Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

“A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review

“A masterpiece.”—Zadie Smith
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD FINALIST • NAMED ONE OF TIME’S TEN BEST FICTION BOOKS OF THE DECADE • NAMED ONE OF THE BEST BOOKS OF THE DECADE BY ENTERTAINMENT WEEKLY AND BUZZFEED • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People • The New York Times Magazine • NPR • Entertainment Weekly • New York • The Telegraph • BuzzFeed • Kirkus Reviews • BookPage • Shelf Awareness

One of the most important and blazingly original writers of his generation, George Saunders is an undisputed master of the short story, and Tenth of December is his most honest, accessible, and moving collection yet.

In the taut opener, “Victory Lap,” a boy witnesses the attempted abduction of the girl next door and is faced with a harrowing choice: Does he ignore what he sees, or override years of smothering advice from his parents and act? In “Home,” a combat-damaged soldier moves back in with his mother and struggles to reconcile the world he left with the one to which he has returned. And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antiques store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders’s signature blend of exuberant prose, deep humanity, and stylistic innovation.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.

Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov’s dictum that art should “prepare us for tenderness.”

GEORGE SAUNDERS WAS NAMED ONE OF THE 100 MOST INFLUENTIAL PEOPLE IN THE WORLD BY TIME MAGAZINE
From the bestselling author of Tenth of December comes a splendid new edition of his acclaimed collaboration with the illustrator behind The Stinky Cheese Man and James and the Giant Peach! Featuring fifty-two haunting and hilarious images, The Very Persistent Gappers of Frip is a modern fable for people of all ages that touches on the power of kindness, generosity, compassion, and community.
 
In the seaside village of Frip live three families: the Romos, the Ronsens, and a little girl named Capable and her father. The economy of Frip is based solely on goat’s milk, and this is a problem because the village is plagued by gappers: bright orange, many-eyed creatures the size of softballs that love to attach themselves to goats. When a gapper gets near a goat, it lets out a high-pitched shriek of joy that puts the goats off giving milk, which means that every few hours the children of Frip have to go outside, brush the gappers off their goats, and toss them into the sea. The gappers have always been everyone’s problem, until one day they get a little smarter, and instead of spreading out, they gang up: on Capable’s goats. Free at last of the tyranny of the gappers, will her neighbors rally to help her? Or will they turn their backs, forcing Capable to bear the misfortune alone?
 
Featuring fifty-two haunting and hilarious illustrations by Lane Smith and a brilliant story by George Saunders that explores universal themes of community and kindness, The Very Persistent Gappers of Frip is a rich and resonant story for those that have all and those that have not.

Praise for The Very Persistent Gappers of Frip

“In a perfect world, every child would own a copy of this profound, funny fable. . . . Every adult would own a copy too, and would marvel at how this smart, subversive little book is even deeper and more hilarious than any child could know.”—Entertainment Weekly
 
“Saunders’s idiosyncratic voice makes an almost perfect accompaniment to children’s book illustrator Smith’s heightened characterizations and slightly surreal backdrops.”—Publishers Weekly
 
“A riveting, funny, and sly new fairy tale.”—Miami Herald
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