1635: Music and Murder

David Carrico

dez. de 2018 · RB Media · Narração de George Guidall

Sobre este audiolivro

1635: Murder and Music. Music . . . It's been said that musicians live for the next new sound. Well, the musicians of Europe were presented with the biggest new sound ever when the Ring of Fire brought the future back to 1631. What will the court musicians think when they hear Bach, Stravinsky, and the Beatles? What will the street and tavern musicians think when faced with Johnny Cash, Metallica, and Nirvana? Things don't go smoothly for Marla Linder and her friends. And Murder . . . The Thirty Years War was an 'interesting' time to be alive, in the proverbial Chinese curse sense of the word. Then Grantville arrived from the future, bringing technology and philosophies that set European civilization on its ear. But that's not all that came back with Grantville. Imagine trying to establish modern police procedures in a time where neither the powers-that-be nor the people underneath them provide much support. Up-timer Byron Chieske and his down-timer partner Gotthilf Hoch walk some mean streets and lonely roads.

Sobre o autor

George Guidall is one of the most prolific narrators of audiobooks in the world. He has recorded nearly 650 unabridged novels, everything from "Crime and Punishment" and "The Iliad" to "Snow Falling on Cedars." He began his career as an actor, appearing on Broadway and touring Europe with Helen Hayes in the "Glass Menagerie," " Miracle Worker" and "The Skin of Our Teeth." He received an Obie Award for Best Performance Off-Broadway, and has continued his performances in theater for over 40 years. Guidall has also appeared on television, with roles on the soap "One Life to Live" and "Law and Order," and in movies such as "Malcolm X" and "Tales from the Darkside." His first job reading audiobooks was for the Library of Congress' American Foundation for the Blinds' Talking Books. Since then he has won the most prestigious Audiobook Award, the Audie Award, for Best Unabridged Narration of a novel for his recording of John Irving's "A Widow for One Year." He won the Audie again in 2000 for Wally Lamb's "I Know This Much is True."