Chaosbound: The Eighth Book of the Runelords
À propos de ce livre audio
The world of the Runelords has been combined by magic with another one parallel it, the beginning of a process that may unify all worlds into the one true world. This story picks up after the events of The Wyrmling Horde and follows two of Farland’s well-known heroes, Borenson and Myrrima, on a quest to save their devastated land and the people of the new world from certain destruction. But the land is not the only thing that has been altered forever: in the change, Borenson has merged with a mighty and monstrous creature from the other world, Aaath Ulber. He begins to change, becoming a berserker warrior with a huge new body. Thousands have died. Lands have sunk below the sea and, elsewhere, risen from it. And the supernatural rulers of the world are part of a universal evil yet play a byzantine game of dark power politics among themselves—a game in which Aaath Ulber is now the most significant pawn.
Notes et avis
À propos de l'auteur
David Farland is the pseudonym of Dave Wolverton, an American author of fantasy fiction who lives in Utah with his wife and five children. He was a budding author during his college years but came to prominence when he won the Writers of the Future L. Ron Hubbard Gold Award for On My Way to Paradise in 1987. He has achieved much renown in the science fiction field, but fans may know him best as the author of Star Wars novels; The Courtship of Princess Leia was met with acclaim from critics and readers alike and became a New York Times bestselling novel.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
