Cities of the Red Night
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From one of the founders of the beat generation and the 1960s counterculture comes this opening novel of a series available now in audio for the first time.
An opium addict is lost in the jungle; young men wage war against an empire of mutants; a handsome young pirate faces his execution; and the world’s population is infected with a radioactive epidemic. These stories are woven together in a single tale of mayhem and chaos. In the first novel of the trilogy continued in The Place of Dead Roads and The Western Lands, William Burroughs sharply satirizes modern society in a poetic and shocking story of sex, drugs, disease, and adventure.
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William S. Burroughs (1914–1997) was an American author, painter, and spoken-word performer who has had a wide-ranging influence on American culture. Jack Kerouac called him the “greatest satirical writer since Jonathan Swift.” Norman Mailer declared him “the only American writer who may be conceivably possessed by genius.” A postmodernist and a key figure of the beat generation, he focused his art on a relentless subversion of the moral, political, and economic conventions of modern American society, as reflected in his often darkly humorous and sardonic satire. He wrote eighteen novels and novellas, six short-story collections, and four collections of essays. No fewer than five books of his interviews and correspondence have been published. He also collaborated on projects and recordings with numerous performers and musicians and made many appearances in films. He was elected to the American Academy and Institute of Arts and Letters in 1983 and in the following year was appointed to the Ordre des Arts et des Lettres by the French government.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
