Nobody Is Protected: How the Border Patrol Became the Most Dangerous Police Force in the United States

· Highbridge Audio · Narrado por Midnite Michael
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9 h 21 min
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Late one July night in 2020, armed men, identified only by the word POLICE written across their uniforms, began snatching supporters of Black Lives Matter off the street in Portland, Oregon, and placing them in unmarked vans. These mysterious actions were not carried out by local law enforcement or even right-wing terrorists, but by the US Border Patrol. Why was the Border Patrol operating so far from the boundaries of the United States? What were they doing at a protest that had nothing to do with immigration or the border? Nobody Is Protected: How the Border Patrol Became the Most Dangerous Police Force in the United States is the untold story of how, through a series of landmark but largely unknown decisions, the Supreme Court has dramatically curtailed the Fourth Amendment of the Constitution in service of policing borders. The Border Patrol exercises exceptional powers to conduct warrantless stops and interrogations within one hundred miles of land borders or coastlines, an area that includes nine of the ten largest cities and two thirds of the American population. Mapping the Border Patrol's history from its bigoted and violent Wild West beginnings through the legal precedents that have unleashed today's militarized force, Reece Jones reveals the shocking true stories and characters behind its most dangerous policies.

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Guggenheim Fellow Reece Jones is a professor and the chair of the Department of Geography and Environment at the University of Hawai'i. He is the author of three books, the award-winning Border Walls and Violent Borders, as well as White Borders. He is also the editor in chief of the journal Geopolitics.

Midnite Michael is a culture-bending, baritone-having storyteller who sings. Having honed his skills reading bedtime stories to his three daughters, Midnite's voice can now be heard on (or in) a wide range of commercials, internet ads, documentaries, museum exhibits, and audiobooks.

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