Off Armageddon Reef: A Novel in the Safehold Series (#1)

· Safehold 1 巻 · Macmillan Audio · ナレーション: Oliver Wyman
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Humanity pushed its way to the stars—and encountered the Gbaba, a ruthless alien race that nearly wiped us out. Earth and her colonies are now smoldering ruins, and the few survivors have fled to distant, Earth-like Safehold, to try to rebuild. But the Gbaba can detect the emissions of an industrial civilization, so the human rulers of Safehold have taken extraordinary measures: with mind control and hidden high technology, they've built a religion in which every Safeholdian believes, a religion designed to keep Safehold society medieval forever.

800 years pass. In a hidden chamber on Safehold, an android from the far human past awakens. This android, Merlin, emerges into Safeholdian society to begin the process of provoking technological progress, which the Church of God Awaiting has worked for centuries to prevent. To conceal his formidable powers he finds a base of operations in Charis, a mid-sized kingdom with a talent for naval warfare, where he plans to make the acquaintance of King Haarahld and Crown Prince Cayleb, and maybe, just maybe, kick off a new era of invention. Which is bound to draw the attention of the Church...and, inevitably, lead to war.

It's going to be a long, long process. And David Weber's Off Armageddon Reef is going to be the can't-miss Sci-Fi epic of the decade.

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著者について

David Weber is a science fiction phenomenon. His popular Honor Harrington space-opera adventures (At All Costs) are New York Times bestsellers and can't come out fast enough for his devoted readers.

Oliver Wyman, a native New Yorker, has appeared on stage as well as in film, and television. Oliver's work as a narrator extends to over 150 audiobooks and has won many him awards, including Audie awards for his reading of Lance Armstrong's autobiography, It's Not About the Bike, and Thomas L. Friedman's The World is Flat. Oliver has won five Audie Awards from the Audio Publisher's Association, fourteen Earphone Awards from AudioFile Magazine, and two Listen Up Awards from Publisher's Weekly. Oliver was named a 2008 Best Voice in Nonfiction & Culture by AudioFile Magazine.

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