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Ciela D.
The King in Yellow is a haunting collection of interconnected short stories that explore themes of madness, despair, and the supernatural. This enigmatic and atmospheric work is brought to life in a gripping audio rendition that captures the eerie beauty and chilling horror of Chambers' visionary tales.
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Lê Quang Đức
I’d like to go back and read all the plays of William Shakespeare, perhaps one a month if that works out. I hadn’t read a Shakespeare play since 1959, 50 years ago! But I had read nearly all of them in college. I wanted to go back, start with something not too serious or challenging, and work my way through the whole corpus. Thus I began with The Two Gentlemen of Verona. At this time I have no idea how the project will go, nor if it will actually lead me through the entire corpus of Shakespeare’s plays. However, I will keep a separate page listing each play I’ve read with links to any comments I would make of that particular play This is the fifth play I’ve read in my return to Shakespeare after so many years, and it my favorite so far. I found it’s several interwoven plots to be fascinating and well done. Shakespeare’s psychological insight into the human character is impressive and the passion involved grabbed me right away. I didn’t find as many “quotable” lines in this play as some others, but I did have my favorites, a couple I cite below. Ironically the main character is not Antonio, the merchant of Venice. Rather, it is Shylock, the Jewish money lender. While I think there is no way one would consider Shylock a nice fellow. I came away believing that he was more wronged than anyone in the play whom he harmed. He is presented as a nasty and greedy money lender. No doubt that portrait played well in a time of rampant anti-Semitism, but I came away with great sympathy for him. Even Antonio, the merchant, is just horrible in his judgment of Shylock, much more based on his race and religion than his money-lending practices.