The 4-Hour Workweek, Expanded and Updated: Escape 9–5, Live Anywhere, and Join the New Rich
Informacje o audiobooku
Forget the old deferred life plan that has you working hard through the best of years of your life only to retire at the end. There is no need to wait, and every reason not to.
Whether your dream is escaping the rat race, experiencing high-end world travel, earning a monthly five-figure income with zero management, or just living more and working less, this book is the blueprint.
In this step-by-step guide to luxury lifestyle design, Tim Ferris explains how he went from working eighty hours per week for $40,000 per year to earning $40,000 per month in just four hours per week, allowing him to travel the world and fulfill his dreams—and how you can, too. With more than one hundred pages of new, cutting-edge content, this expanded edition offers new tools and tricks for living like a millionaire vagabond, even in unpredictable economic times.
Added features include templates for eliminating email and negotiating with bosses and clients, plus real case studies from readers who have doubled their income and reinvented themselves by following Tim’s revolutionary paradigm.
Oceny i recenzje
O autorze
Timothy Ferriss received his BA degree from Princeton University in 2000. Nominated as one of Fast Company’s “Most Innovative Business People of 2007,” he runs a multinational firm from wireless locations worldwide and is a regular lecturer at Princeton University, where he presents entrepreneurship as a tool for ideal lifestyle design and world change.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
