The Dying Animal

· Blackstone Publishing · Narrado por Tom Stechschulte
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4 h 9 min
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No matter how much you know, no matter how much you think, no matter how much you plot and you connive and you plan, you’re not superior to sex. With these words our most unflaggingly energetic and morally serious novelist launches perhaps his fiercest book. The speaker is David Kepesh, white-haired and over sixty, an eminent cultural critic and star lecturer at a New York college—as well as an articulate propagandist of the sexual revolution. For years he has made a practice of sleeping with adventurous female students while maintaining an aesthete’s critical distance. But now that distance has been annihilated.

The agency of Kepesh’s undoing is Consuela Castillo, the decorous and humblingly beautiful twenty-four-year-old daughter of Cuban exiles. When he becomes involved with her, Kepesh finds himself dragged—helplessly, bitterly, furiously—into jealousy and loss. In chronicling this descent, Philip Roth performs a breathtaking set of variations on the themes of eros and mortality, license and repression, selfishness and sacrifice. The Dying Animal is a burning coal of a book, filled with intellectual heat and not a little danger.

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Philip Roth (1933–2018) was one of the most decorated writers in American history, having won the Pulitzer Prize in fiction, the National Book Critics Circle Award twice, the PEN/Faulkner Award three times, the National Book Award, and many more. He also won the Ambassador Book Award of the English-Speaking Union and in the same year received the National Medal of Arts at the White House. In 2001 he received the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction, given every six years “for the entire work of the recipient.”

Tom Stechschulte was an acclaimed narrator and winner of the prestigious Audie Award for Best Narration. He had been a college athlete and business major when a friend dared him to audition for a play. He got the part and traded the locker room for the dressing room, eventually taking him to New York City and to recording audiobooks.

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