The Onion Girl
Om denne lydboken
In his stunning novels of magic and danger in the modern world, Charles de Lint has brought an entire imaginary North American city to vivid life: Newford, where magic lights the dark streets, myths walk clothed in modern shapes, and a broad cast of extraordinary people work to keep the whole world turning. At the center of it all stands a young artist named Jilly Coppercorn, with her tangled hair and paint-splattered jeans, whose paintings capture the hidden beings that dwell in the city's shadows.
Now, at last, de Lint tells Jilly's own story; for behind the painter's fey charm lies a dark secret that she's labored to forget. "I'm the onion girl," Jilly Coppercorn says. "Pull back the layers of my life, and you won't find anything at the core. Just a broken child. A hollow girl. She's very, very good at running—but the past has come to claim her now."
Vurderinger og anmeldelser
Om forfatteren
Charles de Lint is the award-winning author of fantasy fiction, including urban fantasy, contemporary magical realism, and mythic fiction. He is best known for his fantasy novels in the Newford series, but he also writes novellas, short stories, poetry, lyrics, literary criticism, and a children’s book. Among his many awards are the Ontario Library Association’s White Pine Award, the Great Lakes Great Books Award, the Canadian SF/Fantasy Award, and the 2000 World Fantasy Award. His evocative novels have earned him a devoted following and critical acclaim as a master of contemporary mythic fiction.
Kate Reading is the recipient of multiple AudioFile Earphones Awards and has been named by AudioFile magazine as a “Voice of the Century,” as well as the Best Voice in Science Fiction & Fantasy in 2008 and 2009 and Best Voice in Biography & Culture in 2010. She has narrated works by such authors as Jane Austen, Robert Jordan, Edith Wharton, and Sophie Kinsella. Reading has performed at numerous theaters in Washington D.C. and received a Helen Hayes Award for her performance in Aunt Dan and Lemon. AudioFile magazine reports that, "With subtle control of characters and sense of pacing, Kate’s performances are a consistent pleasure."
