Urbain Grandier: Celebrated Crimes, Book 6

Alexandre Dumas

2014年8月 · Celebrated Crimes 第 6 冊 · Freshwater Seas · 旁述：Robert Bethune

關於這本有聲書

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.

In this, the sixth of the series, Dumas tells the story of Urbain Grandier, a Catholic priest, little known to the English-speaking world, but famous among French speakers; he was the target of a religous and political conspiracy that began among his personal and political enemies in the town of Loudon and ended at the highest levels of political and religious power in the kingdom of France, with the direct involvement of Cardinal Richelieu and possibly of the king himself.

Grandier was handsome; Grandier was magnetic; Grandier was highly attractive to women. He was also arrogant, vindictive, and bitterly exacting of every jot and tittle of his rights. These qualities ran him foul of the religious and political bigwigs of the small, provincial town of Loudon. He made many enemies; they made up their minds to kill the man, and kill him they did.

They plotted to create the appearance of witchcraft on the loose by arranging for what would look like demonic possession among the nuns of the Ursuline convent at Loudon, so that they could pin a charge of witchcraft on Grandier. However, once they turned their wild horses loose, they had no choice but to ride them; what began as a personal vendetta turned into a devil's nightmare of a lurid witchhunt and trial.

Though Dumas clearly takes Grandier's part, he is quite objective about how Grandier, faced with a noose strung up by his enemies, could not restrain himself from putting his head into it and grinning. Dumas shows clearly how his enemies went to work with a will to do what has necessary from that point. In this volume, he is less then novelist than the historian, but he brings all the figures involved fully to life. He leaves us shaking our heads at the depths of murderous passion and barbarous cruelty hidden under the mask of religious fervor.

Enjoy!

關於作者

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.