The Outsider: A Novel

Simon and Schuster

Narrated by Will Patton

18 hr 41 min
78

NEW YORK TIMES BESTSELLER—soon to be an HBO limited series starring Ben Mendelsohn!

An unspeakable crime. A confounding investigation. At a time when the King brand has never been stronger, he has delivered one of his most unsettling and compulsively readable stories.

An eleven-year-old boy’s violated corpse is found in a town park. Eyewitnesses and fingerprints point unmistakably to one of Flint City’s most popular citizens. He is Terry Maitland, Little League coach, English teacher, husband, and father of two girls. Detective Ralph Anderson, whose son Maitland once coached, orders a quick and very public arrest. Maitland has an alibi, but Anderson and the district attorney soon add DNA evidence to go with the fingerprints and witnesses. Their case seems ironclad.

As the investigation expands and horrifying answers begin to emerge, King’s propulsive story kicks into high gear, generating strong tension and almost unbearable suspense. Terry Maitland seems like a nice guy, but is he wearing another face? When the answer comes, it will shock you as only Stephen King can.
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4.5
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Additional Information

Publisher
Simon and Schuster
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Published on
May 22, 2018
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Duration
18h 41m 12s
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ISBN
9781508252221
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Language
English
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Genres
Fiction / Horror
Fiction / Media Tie-In
Fiction / Thrillers / Suspense
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Eligible for Family Library

Listening information

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Winner of the 2009 Audie Award for Fiction

Don’t miss the thrilling novel from #1 New York Times bestselling author Stephen King about what happens when the barrier between our world and that of the supernatural is breached...

No more than a dark pencil line on a blank page. A horizon line, maybe. But also a slot for blackness to pour through...

A terrible construction site accident takes Edgar Freemantle’s right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn’t survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a “geographic cure,” a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else.

“Edgar, does anything make you happy?”

“I used to sketch.”

“Take it up again. You need hedges...hedges against the night.”

Edgar leaves Minnesota for a rented house on Duma Key, a stunningly beautiful, eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico and the tidal rattling of shells on the beach call out to him, and Edgar draws. A visit from Ilse, the daughter he dotes on, starts his movement out of solitude. He meets a kindred spirit in Wireman, a man reluctant to reveal his own wounds, and then Elizabeth Eastlake, a sick old woman whose roots are tangled deep in Duma Key. Now Edgar paints, sometimes feverishly, his exploding talent both a wonder and a weapon. Many of his paintings have a power that cannot be controlled. When Elizabeth’s past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating.

The tenacity of love, the perils of creativity, the mysteries of memory, and the nature of the supernatural—Stephen King gives us yet another novel as fascinating as it is gripping and terrifying.
Mile 81 is Stand by Me meets Christine—the story of an insatiable car and a heroic kid.

At Mile 81 on the Maine Turnpike is a boarded-up rest stop, a place where high school kids drink and get into the kind of trouble high school kids have always gotten into. It’s the place where Pete Simmons, armed only with the magnifying glass he got for his tenth birthday, finds a discarded bottle of vodka in the boarded up burger shack and drinks enough to pass out. Not much later, a mud-covered station wagon (which is strange because there hadn’t been any rain in New England for over a week) veers into the Mile 81 rest area, ignoring the sign that says “closed, no services.” The driver’s door opens but nobody gets out.
By the time Pete Simmons wakes up from his vodka nap, there are half a dozen cars at the Mile 81 rest stop. But two kids and a horse are the only living things left...unless you maybe count the wagon. With the heart of Stand By Me and the genius horror of Christine, Mile 81 is Stephen King unleashing his imagination as he drives past one of those road signs.
In the bonus story “The Dune,” originally published in Granta’s October 2011 horror issue, retired Florida Supreme Court Judge Harvey Beecher tells his lawyer about a mysterious sand dune on an unnamed island a short distance off the Gulf coastline of his family’s property. Harvey first visited the island at the age of ten in 1932, after his grandfather, a scoundrel and land speculator who’d created the family fortune, told him Blackbeard’s treasure might be buried there. Traveling to the island became a daily addiction for Harvey…and now his lawyer is about to discover the shocking reason why.
Winner of the 2009 Audie Award for Fiction

Don’t miss the thrilling novel from #1 New York Times bestselling author Stephen King about what happens when the barrier between our world and that of the supernatural is breached...

No more than a dark pencil line on a blank page. A horizon line, maybe. But also a slot for blackness to pour through...

A terrible construction site accident takes Edgar Freemantle’s right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn’t survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a “geographic cure,” a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else.

“Edgar, does anything make you happy?”

“I used to sketch.”

“Take it up again. You need hedges...hedges against the night.”

Edgar leaves Minnesota for a rented house on Duma Key, a stunningly beautiful, eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico and the tidal rattling of shells on the beach call out to him, and Edgar draws. A visit from Ilse, the daughter he dotes on, starts his movement out of solitude. He meets a kindred spirit in Wireman, a man reluctant to reveal his own wounds, and then Elizabeth Eastlake, a sick old woman whose roots are tangled deep in Duma Key. Now Edgar paints, sometimes feverishly, his exploding talent both a wonder and a weapon. Many of his paintings have a power that cannot be controlled. When Elizabeth’s past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating.

The tenacity of love, the perils of creativity, the mysteries of memory, and the nature of the supernatural—Stephen King gives us yet another novel as fascinating as it is gripping and terrifying.

“A tremendous book―thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay’s personal best. It’s that good.” — Stephen King

The Bram Stoker Award-winning author of A Head Full of Ghosts adds an inventive twist to the home invasion horror story in a heart-palpitating novel of psychological suspense that recalls Stephen King’s Misery, Ruth Ware’s In a Dark, Dark Wood, and Jack Ketchum’s cult hit The Girl Next Door.

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what’s going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world."

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

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