布瑞頓舞臺作品教會比喻三部曲的研究: 藝術與人文系列18

國立臺北藝術大學
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布瑞頓(Lord Benjamin Britten, 1913-1976)是英國20世紀傑出的作曲家,他的作品呈現了豐富的英格蘭特質,1945年的歌劇《彼得‧葛萊姆》(Peter Grimes)將布瑞頓推上國際樂壇,同時復興了「英格蘭歌劇」(English opera)。布瑞頓1955年的亞洲巡迴演出,從近東地區、東南亞峇里島、香港直到日本,使得作曲家從「認識」的亞洲,經驗到一種超越想像東方的「真實」。本文研究布瑞頓如何具體而微地將東方音樂素材應用在西方音樂形式下,產生新的劇種形式《教會比喻》(Church Parables)三部曲之《鷸河》(Curlew River, 1964)、《烈焰燃燒的火爐》(The Burning Fiery Furnace, 1966)以及《回頭浪子》(The Prodigal Son, 1968)。布瑞頓透過三部曲呈現東方的宗教哲學與西方的神學觀點,以日本能劇形式融合基督教的精神,使得作品整體的宗教脈絡從日本禪宗、猶太神學到基督教神學,反映不同文化間彼此交互影響的過程。
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Publisher
國立臺北藝術大學
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Published on
Dec 1, 2013
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Pages
352
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ISBN
9789860376838
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Best For
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Language
Chinese
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Genres
Art / General
Performing Arts / Theater / General
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Content Protection
This content is DRM protected.
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